The International Cook Book

Over three thousand recipes from the man who cooked at Delmonico's — French sauces, Italian pastas, Indian curries and American pies, the whole eating world of 1906 in one volume.

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French Flageolets, Cubannaise

Open a pint can French flageolets, plunge in a pint boiling water, boil for five minutes and drain on a sieve. Heat one and a half tablespoons melted butter in a saucepan, add one each chopped onion and seeded green pepper and gently brown for five minutes, frequently stirring meanwhile. Peel, cut in halves, remove seeds, then cut in small pieces two large red tomatoes and add to pan with flageolets. Season with half teaspoon each salt and sugar, two saltspoons pepper, mix well and gently cook for fifteen minutes, occasionally stirring meanwhile. Mix on a saucer a teaspoon butter with teaspoon flour and add to flageolets, mix until well thickened, dress flageolets in a vegetable dish and serve.

For the Modern Kitchen

A straightforward canned-bean side dish built on a pepper-and-tomato base, with a butter-and-flour thickening at the end. Nothing here is difficult; the archaic parts are the measures and the bean itself.

A Little History

Flageolets are the classic French bean for serving alongside lamb, harvested young so they stay green and hold their shape, and canned imports of this kind were available to American cooks by the early 1900s - which may be why this recipe opens with a can rather than a soaking bowl. The name "Cubannaise" is not a term one finds documented elsewhere, though it seems to point to a treatment in the Caribbean or Spanish manner: onion, green pepper and tomato sweated together, the same trio that underlies a Cuban sofrito. Cookbooks of this era, and international collections in particular, used such national tags loosely, attaching them to any dish with the right suggestive ingredients rather than to a documented regional original. The result is a French bean dressed in a Spanish-Caribbean sauce and thickened with a thoroughly French beurre manié - a fair picture of how a "world" repertoire was assembled at the time.