The International Cook Book

Over three thousand recipes from the man who cooked at Delmonico's — French sauces, Italian pastas, Indian curries and American pies, the whole eating world of 1906 in one volume.

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Potage, Marie Louise

Place in a saucepan one each sliced carrot and onion, two each sliced leeks and branches celery, two branches parsley, one branch chervil, one bay leaf, one clove, a sprig thyme, two pounds clean fish bones, two and a half quarts water, a half teaspoon pepper, two teaspoons salt, and let gently boil for forty-five minutes. Mix in a saucepan one ounce butter with two and a half ounces flour, thoroughly stir and let heat for one minute. Strain the broth through a cheesecloth into this pan, add a saltspoon grated nutmeg and half teaspoon curry powder, mix well until it comes to a boil, then let boil for forty-five minutes, being careful to skim the fat from the surface and mixing quite frequently meanwhile. Open twenty-four fresh mussels and place them with their liquor in a saucepan with one gill white wine. Boil for five minutes, strain the broth through a cheesecloth into the soup, add one gill cream, mix a little and boil for five minutes; dilute one egg yolk with a quarter gill cream and add to the soup; mix well while heating for three minutes. Cut the mussels in two, add to soup, pour into a tureen and serve.

For the Modern Kitchen

A classic fish velouté finished with mussels and an egg-yolk liaison. The whole thing hinges on the last step: once the yolk goes in, the soup must not boil again or it will curdle.

A Little History

French kitchen practice named soups and garnishes after people, and Marie Louise is usually taken as Napoleon's second wife, the Austrian archduchess he married in 1810; a cluster of dishes carrying her name entered the repertoire in the nineteenth century, and cooks were not always consistent about what the label guaranteed. In classic garnish lists the name is generally associated with creamed soups and with mushroom or barley garnishes rather than shellfish, so this version — a fish velouté bound with yolk and cream and finished with mussels and a whisper of curry — reflects the freedom a working chef took with such titles. The construction itself is textbook late-Escoffier-era method: a fish fumet built on a mirepoix and bouquet, thickened with roux into a velouté, then enriched at the last moment with a liaison of yolk and cream. Curry powder appearing as a mere seasoning, measured in half teaspoons, is a good marker of the period, when the spice had been thoroughly absorbed into French and Anglo-American cooking as one flavoring among many.

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