The International Cook Book

Over three thousand recipes from the man who cooked at Delmonico's — French sauces, Italian pastas, Indian curries and American pies, the whole eating world of 1906 in one volume.

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Vol Au Vent of Godiveaux

Prepare a vol au vent and keep hot. Finely chop a pound and a half lean, raw, sinewless veal with a pound of well-picked, fresh beef-kidney suet; place in a bowl, cover with a cloth and bury it in ice for one hour. Place the hash in a cold mortar and pound to a paste, season with a teaspoon salt, two saltspoons cayenne pepper, a saltspoon grated nutmeg and saltspoon ground mixed allspice, adding three egg-yolks; pound again for five minutes, place on a lightly floured table, then make small balls the size of cherries and plunge in a pint and a half boiling broth; boil for two minutes, drain on a sieve and keep the broth.

Mix in a saucepan a half ounce butter with one ounce flour and heat for a half minute. Strain the broth into this pan, add a half gill cream, season with a half teaspoon salt and one saltspoon each cayenne pepper and grated nutmeg. Mix until it comes to a boil, let boil for ten minutes, then dilute an egg yolk with a tablespoon cream, add to the sauce, and. mix. while heating for one minute. Add the godiveaux, lightly mix, cook for one minute more; dress the vol au vent on a large dish and pour into the vol au vent, place the cover on and serve.

For the Modern Kitchen

This is a veal quenelle forcemeat poached in broth, bound with a velouté and served in a puff pastry case. The critical thing is temperature: the veal and suet must stay near freezing until they are pounded, or the fat separates and the balls fall apart in the broth.

A Little History

Godiveau is the old French kitchen term for a forcemeat of lean veal and kidney suet pounded to a paste, the parent of the quenelle; Carême and later Escoffier both codified versions, and Escoffier's godiveau à la crème follows the same logic of cold fat, cold marble and repeated pounding. The vol-au-vent, whose name means roughly "flight in the wind" for the lightness of the pastry, is generally credited by tradition to Carême's kitchens in early nineteenth-century Paris, though the shell had antecedents in earlier raised pastry cases. A recipe like this one appears in English-language cookbooks because the professional French repertoire was still the standard against which ambitious American hostesses measured themselves: the mortar, the ice, and the pint and a half of broth all assume a kitchen with staff and time.

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