The Pleasures of the Table

Gastronomy from ancient days to modern times — the feasts of Greece and Rome, the great chefs and their schools, the literature of the table, and Ellwanger's own views on the aesthetics of dinner-giving.

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L'Almanach Des Gourmands: Sage

Nor was an exposé of a guest who had served a large and inferior pâté at a rural outing, furnished by a vulgar artist-claiming it as one of the incomparable productions of a celebrated maker-less merited and severe. The pâté was pompously announced as coming from the fragrant ovens of a certain M. Le Sage. "At the mention of this revered name" [says the editor], "the attention of all the guests was directed to the piece, the opening of which was eagerly awaited. "This pâté was at first sight very inviting, but no sooner was the crust removed than we perceived from the enormous void that it could not have been made by M. Le Sage, whose pâtés are always well filled, and are garnished in addition with a blond of veal that renders them easily distinguishable. "The one in question, which was presented as a pâté of ham of Bayonne, offered merely an indigestible mixture of ordinary ham, dried and spoiled, interspersed with chunks of tough veal; the crust corresponded to the interior, and the stuffing to the whole. "We indignantly protested that such a pâté could not emanate from the manufactory of M. Le Sage; but the donor insisting stoutly that he had himself purchased it from him, he was believed, in spite of the fact that he was a man of the law. "We had our doubts, notwithstanding; for it is less rare to find a lying knave than a detestable pâté emanating from M. Le Sage, who, through the assertion made, found himself dishonoured in the estimation of thirty people."

The result of the author's conviction was a letter to the injured party, the latter's prompt appearance at the office of the offender, a written apology by the culprit, and a promise to the editor of the "Almanach" that he would atone for his crime by producing a pâté whose authenticity could not be questioned, “which still remains for him to do," adds the editor, no doubt with a sigh of disappointment. In view of these denunciations, one may readily understand that the products submitted to the jury must have been, almost without exception, of a very high order of merit.

With such a rigid arbiter, few would care to incur his censure or render themselves subject to his lash. The frequent references to the venders, therefore, served a treble purpose--that of stimulating the art of cookery, exposing knavery, and sumptuously regaling the table of the tribunal. There is this besides to be said in extenuation of the frequent references to the pâtissiers and rôtisseurs -that, being specialists, they were more likely to advance an art than the average person, however familiar with the principles of cookery, who was not in possession of the mechanical accessories of the professional, or who was not accustomed daily to turn his hand to practical account.

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