Cassell's New Dictionary of Cookery

From Aberdeen Crullas to Zwiebach — the vast Cassell's dictionary with a recipe for everything, each priced to the penny ('Probable cost, 2s.'), plus the whole science of the 1912 kitchen.

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Gherkins, Pickled

Put the gherkins into a large stone jar, and cover them with brine strong enough to carry an egg. Place the cover on the jar, and leave it for two or three days, until the gherkins begin to turn yellow; then drain them, and pour boiling vinegar over them. Put bay-leaves on the top, keep the jar in a warm place, and heat the vinegar afresh every day, till the gherkins turn as green as you wish. Boil fresh vinegar, and with it one large blade of mace, two ounces of whole pepper, four bay-leaves, and half a dozen small silver onions to each quart. Put the gherkins into wide-mouthed bottles, pour the vinegar over them, first allowing it to cool a little, or it will crack the bottles, and cork securely when cold. Time, from a week to a fortnight. Probable cost, 1s. per pint bottle.

For the Modern Kitchen

A straightforward two-stage vinegar pickle: a heavy salt cure, then repeated hot vinegar until the fruit greens. Most of the work is in the greening, which is cosmetic rather than preservative.

A Little History

Gherkins reached English kitchens along with the word itself, generally traced through Dutch gurkje to a Slavic root also behind Polish ogórek; by the nineteenth century the small ridge cucumber grown specifically for pickling was a staple of the cold table alongside chutneys and bottled sauces that Britain's Indian trade had made fashionable. The insistence on green pickles in books like Cassell's has a darker background: commercial picklers had long greened their wares with copper, and Frederick Accum's Treatise on Adulterations of Food (1820) and later Arthur Hill Hassall's analyses for The Lancet publicised the verdigris in shop-bought jars. Domestic recipes such as this one, greening slowly with repeatedly reheated vinegar in a warm place, were the safe answer to a fashion for colour that the trade had been meeting with poison — which is why the method is described in such patient detail for what is, in the end, a matter of appearance.

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