Cassell's New Dictionary of Cookery

From Aberdeen Crullas to Zwiebach — the vast Cassell's dictionary with a recipe for everything, each priced to the penny ('Probable cost, 2s.'), plus the whole science of the 1912 kitchen.

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Syllabubs

Soak the thin rind of a fresh lemon in a pint of sherry or Madeira, and let it remain all night. Sweeten it well, and add three table-spoonfuls of brandy, a pint and a half of rich cream beaten up with the white of an egg, and the juice of the lemon. Beat the mixture to froth. As it rises place it in the glasses, pile it as high as possible, and place it in a cool place. In a little time the syllabubs will get firm, and settle into a highly-flavoured preparation covered with snowy froth. If liked, melted red currant or black currant jelly may be mixed with half the cream before it is whipped, and this will make the syllabubs contrast in colour. Syllabubs should be made the day before wanted.

For the Modern Kitchen

An everlasting syllabub — the kind that holds its froth for a day or more rather than the older sort drunk straight from the glass. Two things decide whether it works: the fat content of the cream and how little you whisk it.

A Little History

Syllabub is one of the oldest surviving English sweets, recorded from the sixteenth century in spellings such as sillibub and solybubbe; the origin of the name is genuinely unknown, and the frequently repeated derivations from "Sillery" wine or from "bub" as slang for a drink are guesses rather than documented etymology. Early versions were a drink: sweetened cider or wine in the glass, with milk poured or squirted in from a height — some seventeenth-century instructions say to milk the cow directly into the bowl — so that the acid curdled the milk and left a frothy cap. By the eighteenth century cooks had turned it into the "everlasting" or "whipt" syllabub given here, in which whipped cream is skimmed off in layers and piled into tall glasses, and it became a fixture of the dessert table alongside jellies and flummeries. The instruction to make it the day before is the mark of the later style, in which the mixture settles deliberately into two layers, wine below and snow above.

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