Cassell's New Dictionary of Cookery

From Aberdeen Crullas to Zwiebach — the vast Cassell's dictionary with a recipe for everything, each priced to the penny ('Probable cost, 2s.'), plus the whole science of the 1912 kitchen.

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VOL-AU-VENT (a la Normande)

Make a vol-au-vent case according to the instructions already given, bake it, lift off the cover, and have ready to fill it a good ragout. Put on the lid, and serve the vol-au-vent on a dish covered with a napkin. The ragout may be prepared as follows. Fillet a large sole, put it on a buttered dish, and sprinkle upon it a tea-spoonful of very finely-minced onions which have been previously par-boiled. Pour upon it as much milk or light wine as will barely cover it, and bake till done enough. Divide it into neat slices of uniform size, and put these in a stewpan with an equal quantity of oysters which have been plumped in their liquor, mussels which have been shaken over the fire in a stewpan till their shells opened, mushrooms which have been stewed in butter, and pieces of the crumb of bread about the size of a crown piece which have been fried in butter until they became lightly browned. Take as much veloute sauce as will cover the ingredients, put it into a saucepan, and stir in the oyster liquor, the mussel broth, and the gravy from the sole. Let it simmer till very thick. Beat the yolks of two eggs in a basin, mix a spoonful or two of the sauce with them, and add them to the rest. Simmer the sauce for a minute or two without allowing it to boil, and pour it over the fish. Let all heat very gently together for three or four minutes, and the ragout will be ready for the vol-au-vent.

For the Modern Kitchen

A composed fish ragout in a puff pastry case, written for a kitchen that had a fish kettle, a stockpot and an unhurried afternoon. Nothing here is difficult, but the order of work matters more than the original lets on.

A Little History

Vol-au-vent — "flight in the wind" — takes its name from the lightness of the puff pastry shell, and its invention is traditionally credited to Antonin Carême in early nineteenth-century Paris, though hollow raised pastry cases filled with ragout are considerably older than that attribution. The suffix à la Normande signals Normandy, and in nineteenth-century French practice it meant a white fish garnish of oysters, mussels, mushrooms and fried croûtons in a cream-and-egg-enriched sauce, sometimes with the cider or apple that the region is better known for now. The dish is in effect a teaching exercise: it asks the cook to make puff pastry, poach a fish, open shellfish, build a velouté, and finish a sauce with a yolk liaison, then bring all five together at one moment. That the book expects a domestic reader to manage it says a good deal about how thoroughly French restaurant technique had settled into the ambitions of the late-Victorian English household.

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