Cassell's New Dictionary of Cookery

From Aberdeen Crullas to Zwiebach — the vast Cassell's dictionary with a recipe for everything, each priced to the penny ('Probable cost, 2s.'), plus the whole science of the 1912 kitchen.

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Westphalian Ham, Boiled Delicately

After the ham has soaked all night in lukewarm water, it is laid in the kettle with water to the depth of about nine inches, a quart of wine, a little rosemary, a handful of sage, thyme, basil, marjoram, whole pepper, juniper-berries, and some whole onions. With these ingredients it must boil for four hours only, that is to say, to draw it. We may prevent its falling asunder by binding it in a clean old cloth. When completely tender, we take it out in the cloth, lay it on a dish, draw off the rind after removing the cloth, and ornament it with the rind. The more it is garnished the better it is. When cold, transfer the ham to a clean dish, and tastefully arrange parsley about it.

For the Modern Kitchen

A cold-buffet centrepiece from the era of the standing sideboard. The hinge is the word "boil": at a true rolling boil for four hours the meat will shred and the outer inch will go dry and stringy, which is exactly why the recipe tells you to bind it in a cloth.

A Little History

Westphalia, in north-western Germany, built its reputation on hams from pigs said to have been fattened on beech mast and acorns, cured and then cold-smoked over beechwood with juniper — a description that is traditional lore as much as documented practice. Juniper berries turn up in the cooking liquor here too. The name had become a quality mark across nineteenth-century Europe, much as Parma or Bayonne had, and the recipe as Cassell's gives it reads as though it may have come from a German source: the collective "we may prevent", the herb list, and the instruction to draw the ham rather than cook it all read as translation. Its place in a British dictionary of cookery is the cold table. A whole boiled ham, skinned, glazed or garnished and set out on a dish with parsley, was standing furniture at Victorian breakfasts, suppers and ball refreshments, where it had to look handsome for several days and be carved by whoever passed it — hence the insistence that the more it is garnished, the better.

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