Cassell's New Dictionary of Cookery

From Aberdeen Crullas to Zwiebach — the vast Cassell's dictionary with a recipe for everything, each priced to the penny ('Probable cost, 2s.'), plus the whole science of the 1912 kitchen.

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Wine, Coltsfoot

Take ten gallons of soft-or river-water, and boil with it for three-quarters of an hour twenty-six pounds of moist sugar and the whites of ten eggs well beaten, skimming well all the time. Pour the liquor boiling hot on three pecks of fresh-gathered colts-foot flowers and ten pounds of Malaga raisins stoned and cut small; cover the vessel up close, and let them infuse three days, stirring three times daily. Then make two gallons of the liquor scalding hot, stir it well into the rest, and add six or seven table-spoonfuls of good yeast; keep it well mixed and covered up, until it has worked freely, then strain it into your cask upon three ounces of the best ginger bruised and the thin rinds of six Seville oranges, and let it remain open, covering the bunghole with a tile until the wine has ceased fermenting. Add three half-pints of French brandy and a bottle of strong Madeira, stop the cask up securely, and keep the wine twelve months; then bottle it, and drink in six months more. This is a valuable wine for its medicinal properties.

For the Modern Kitchen Do not make this as written.

This is a large-batch country wine built on a flower that is no longer considered safe to consume. The notes below explain the scale and the vocabulary, and then why the batch should not be made.

A Little History

Coltsfoot takes its botanical name, Tussilago, from the Latin tussis, a cough -- the plant was a standard pectoral remedy in European herbals for centuries, smoked, made into candy, boiled into syrup and, as here, fermented. Its bright yellow flowers appear on bare stems in very early spring, before the leaves, which made them one of the first gatherable crops of the year and a natural candidate for the household wine cupboard in a period when country wines were both a way of using a free harvest and a respectable vehicle for medicine. Recipes of this kind sit among long runs of flower and fruit wines in Victorian household books, all built on much the same template of sugar, water, raisins for body, yeast, and a cask left to work under a tile. The medicinal endorsement at the end is standard for the genre; the pyrrolizidine alkaloids that ended coltsfoot's culinary career were only identified and understood as a liver hazard in the twentieth century.

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