Cassell's New Dictionary of Cookery

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WOODCOCK, ROAST (another way)

There is more art in roasting woodcocks than any other bird of the same size. They require constant attention during the operation of roasting them. As they must be cooked very little--the flesh of the woodcock, like that of all dark-fleshed game, being digestible when almost raw, and losing its savour if roasted to the same degree as a partridge--their cooking occupies but little time; therefore the cook should never leave her woodcocks from the moment they are put down until she takes them up. Truss without drawing them, and put toast under them to catch the trail, which often falls from them when they are before the fire. The most delicate parts of the woodcock are the legs and the trail; next, the breast. As this latter must be very much underdone, and the legs a little better done, to be eatable, there is, of course, an inequality in their roasting, which must be obviated by stopping the spit for a time whenever the legs are turned towards the fire, in order to give them a greater proportion of heat. The woodcocks, when done, are served up upon the toast, with melted butter only, as their flavour would be deteriorated by any kind of gravy.

For the Modern Kitchen Do not make this as written.

This is a set of instructions for roasting a bird undrawn and deliberately underdone, and it cannot be followed safely or, in many places, legally today. The points below explain the specific problems rather than offering a corrected method.

A Little History

Woodcock was the connoisseur's bird of the Victorian game season, judged by how little it had been cooked and how the trail had been handled. The practice of roasting snipe and woodcock undrawn on toast is generally traced to the medieval and early modern kitchen, where small birds were spitted whole and the fat and juices caught on a sippet of bread below; by the nineteenth century it had hardened into a point of table connoisseurship, the toast served under the bird and eaten with it. The anxious tone of the entry -- the cook must not leave the fire for a moment, the spit must be checked whenever the legs come round -- reflects a real technical difficulty of open-hearth roasting, where the only controls available were distance, orientation and constant watching. It also reflects a period confidence that dark game flesh was wholesome nearly raw, an idea drawn from contemporary theories of digestibility rather than from any knowledge of foodborne pathogens.

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