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Party plans from 1919 — an aviation meet, a watermelon frolic, a pussy cat party, and how to carry each one off.

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Oak Leaves and Cosmos

WHEN oak leaves begin to glow with tawny splendor, another girl celebrated her wedding. The house was a bower of rich, deep red and brown foliage, and the "bridey" touch came in with the pale pink garden cosmos that was used.

Cosmos made the background for the wedding group, and was arranged in feathery masses wherever it might contrast with the dark oak leaves.

The wedding was in the late afternoon, and after the sunset light had faded the pink [160] candles began to glow rosily under soft pink shades.

The dining-room table was lovely with pink candle-light and pink cosmos as a centerpiece on a mat of oak leaves. There were pink and white candies and raspberry ice was served with the tiniest of pink and white and green petites fours. [161]

For the Modern Kitchen

Two paragraphs on an autumn wedding, and what they amount to is a colour scheme: deep red and brown oak foliage, pale pink garden cosmos, pink candles, pink ice.

A Little History

This chapter treats a wedding as a decorating problem with a palette, and the palette is whatever happens to be in the garden in the week in question. The page before it is a blue and gold wedding; the one after is a Christmas wedding; this one is built on oak leaves and cosmos because the bride married when the oaks were turning. What makes that possible is that nothing in the scheme is shipped. Garden cosmos, foliage cut from the trees nearby, candles, pink candies and a raspberry ice: a hostess with a garden and a kitchen could produce the whole effect herself, and the book assumes she will. The one thing she could not command was the light, which is why the page is so careful to note the hour — late afternoon, the sunset fading, and the pink candles coming up under their shades as the room darkens.

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