Mackenzie's Ten Thousand Receipts

Ten thousand receipts from the great Victorian household compendium — cookery, brewing, dyeing, gilding, fireworks, medicine, farriery and the rest of the useful arts, in one volume.

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Pastry, Etc

1. Shrewsbury Cake.

Sift 1 pound of sugar, some pounded cinnamon, and a nutmeg grated, into 3 pounds of flour. Add a little rose-water to 3 eggs well beaten, mix them with the flour, then pour in as much butter melted as will make it a good thickness to roll out. 2. Another. Take 2 pounds of flour, 1 pound of slack oven. 12. Gingerbread.

One pound and a half of flour, 1 pound of sugar, and 1/2 a pound of butter, well rubbed together; 1 ounce of ginger, a few caraway seeds, 24 allspice, 12 cloves, a little cinnamon, 1 pint of molasses.

Knead well. 13. Short Gingerbread.

One pound of sugar, pound of butter, 5 eggs, a little cream and saleratus, 1 pounds of flour, rolled hard. To be baked on tin sheets, marked ready to cut 14. Calves'-foot Jelly.

For the Modern Kitchen

This page is a run of short pastry receipts as they were set in type, and the text has come down to us damaged: the second Shrewsbury cake breaks off mid-sentence and runs straight into the tail of a later entry, and the numbering jumps from 2 to 12. Treat items 1, 12 and 13 as workable; the rest are fragments.

A Little History

Shrewsbury cakes are among the older named English biscuits, recorded by the seventeenth century and associated with the Shropshire town. Recipes vary: richness in butter and thinness are usual, and rose-water is one common flavouring alongside caraway. That the same page carries two gingerbreads is unsurprising in receipt books of this period, when molasses was cheap and gingerbread took many forms. The whole spices counted out by the berry suit a kitchen with a mortar rather than a spice tin, and saleratus in the second gingerbread but not the first shows chemical leavening sitting alongside older methods that relied on eggs and hard rolling. The broken sentences and jumping numbers look like damage to the text as it has come down rather than evidence about how the collection was put together.

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