Mrs. Beeton's All About Cookery

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Veal, Roast, Breast of

INGREDIENTS.-Veal; a little flour. AVERAGE COST, 8d. per lb.

Wash the veal, well wipe it, and dredge it with flour; put it down to a bright fire, not too near, as it should not be scorched.

Baste it plentifully until done; dish it, pour over the meat some good melted butter, and send to table with a piece of boiled bacon and a cut lemon.

TIME. From 1 to 2 hours.

SEASONABLE from March to October.

Veal, Breast of, to Carve._ The carving of a breast of veal is not dissimilar to that of a fore-quarter of lamb, when the shoulder has been taken off. The breast of veal consists of two parts-the rib-bones and the gristly brisket.

These two parts should first be separated by sharply passing the knife in the direction of the lines A, B, when they are entirely VEAL À LA BOURGEOISE. divided, the rib-bones should be carved in the direction of the lines E to F; and the brisket can be helped by cutting pieces in the direction C to D. The carver should ask the guests whether they have a preference for the brisket or ribs; and if there be a BREAST OF VEAL.

B sweetbread served with the dish, as it often is with roast breast of veal, each person should receive a piece.

For the Modern Kitchen

This is a spit-roast written for an open fire, with the meat hung before the coals and turned rather than enclosed in an oven. Nearly all the adaptation lies in translating that to a modern oven and in recognising that breast of veal is a tough, gristly, well-marbled cut that rewards slow heat.

A Little History

Breast of veal was the economical end of the calf — bony, gristly, cheap by the pound — and it appears in Beeton alongside far grander veal dishes precisely because the book was written for households working to a budget and often noted, entry by entry, what a thing cost. The pairing with bacon and lemon here is the standard Victorian treatment. The carving note that follows, with its lettered diagram, is characteristic of the household manuals of the period: joints came to table whole and the master or mistress of the house was expected to dismember them competently in front of guests, which is why Beeton devotes as much space to the knife as to the fire.

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