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Mosaic Sandwiches
Cut the bread, white, brown and graham, as thin as possible, and use four or five pieces in each sandwich, putting them together so that the colors will contrast. Either butter or other filling is admissible.
A construction technique rather than a filling recipe, and the whole effect depends on the bread. A few notes on getting the layers thin enough to be worth the trouble.
- The hinge: chill and slice thinBread cut "as thin as possible" by hand needs a firm, day-old close-crumbed loaf and a long serrated knife. Refrigerating the loaf an hour before slicing keeps the crumb from tearing; aim for about 1/8 inch, or use the thinnest setting on a commercial sandwich loaf.
- What graham bread isGraham flour is coarsely ground whole wheat, named for Sylvester Graham, and graham bread of this period is a dense brown loaf. Any wholemeal sandwich bread stands in; the point is a third color between the white and the darker "brown" bread.
- "Brown bread" hereNot the steamed Boston brown bread of the same era, whose loose crumb makes very thin, clean slices difficult. A rye or molasses-darkened wheat loaf gives a middle band that reads clearly dark against the white.
- Butter is structuralButter helps hold the stack -- The recipe allows butter or any other filling. Whichever is used, spread it softened and edge to edge on every face so the four or five thin slices hold together; cold butter drags and tears thin bread.
- Fillings that will not slipBecause the stack is tall and the slices are fragile, use spreadable fillings only, such as creamed cheese, potted meat, or a stiff egg or nut paste. Sliced or wet fillings make the layers slide and blur the pattern.
- Press before cuttingThe recipe stops at assembly, but for a clean pattern the stack can be wrapped and lightly weighted on a plate for 20 to 30 minutes, then the crusts trimmed and the stack cut into fingers or small squares so the stripes show on the cut face.
- Yield and servingOne trimmed five-slice stack cuts into roughly four to eight small tea sandwiches, depending how small you go. Keep them covered with a damp cloth until served; bread this thin dries out quickly.
This belongs to the elaborate tea-table sandwich work of the 1890s and early 1900s, when a hostess was judged partly on how decorative her thin bread and butter could be made. Cookbooks of the period run through rolled sandwiches, ribbon sandwiches, checkerboard sandwiches and pinwheels, all built from the same trick of alternating light and dark loaves; the name "mosaic" is often said to borrow from tilework to describe the striped or checked pattern on the cut face. Recipes of this kind assume unlimited hands and no hurry, which tells you something about the domestic labor behind an afternoon tea of the period.","removed":"Hedged the tilework etymology as traditional; deleted the two-part causal explanation about even-crumbed bakery loaves and health-reform graham bread."}