The Boston Cooking-School Cook Book

The book that taught America to measure. Fannie Farmer's 1896 classic replaced the pinch, the lump and the teacup of the old receipts with the level cup and the level spoon — and then filled eight hundred pages with what to do next.

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Jelly in Glasses

Use recipe for Wine or Russian Jelly. Fill Apollinaris glasses three-fourths full, reserving one-fourth of the mixture, which, after cooling, is to be beaten until frothy (using a Dover egg-beater) and placed on top of jelly in glasses which represents freshly drawn lager beer. This is a most attractive way of serving jelly to one who is ill.

For the Modern Kitchen

This is a presentation trick rather than a formula: the whole effect depends on catching the reserved gelatin at exactly the right stage of setting. The base recipe is the book's Wine Jelly or Russian Jelly, both gelatin desserts set with sherry, Madeira or lemon.

A Little History

This entry belongs to the substantial body of nineteenth-century "invalid cookery" — dishes designed for people confined to bed, where appetite had to be coaxed by appearance as much as flavor. Gelatin desserts were the workhorse of that genre: cool, easy to swallow, and thought to be nourishing in an era when convalescents were fed little else. The joke here is the point. Apollinaris water, bottled at the Apollinaris spring in Germany's Ahr valley and widely imported to American tables by the 1890s, came in tall narrow glasses of a sort that could pass for beer glasses, so a layer of amber jelly capped with pale froth reads unmistakably as a freshly drawn lager. Serving a bedridden patient — "one who is ill," as the recipe puts it — something that looked like a glass of beer was a small piece of theater, and the fact that anyone bothered to record it says a good deal about how much presentation was expected to do in the sickroom.

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