The Butterick Cook Book

The pattern company's cookbook, 1911 — thirty-two chapters from appetizers to the fireless cooker.

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Boned Chicken

Pick and singe the chicken and cut off the head and feet, but do not draw it. With a sharp penknife slit the chicken down the back; then, keeping the knife close to the bones, scrape down the sides, and the bones will come out. Leave the drumsticks and wing bones in, but break them at the joints. Stuff the chicken with chopped cold, cooked ham, seasoned with salt and pepper, a teaspoon of summer savory, and the juice of one lemon; add two tablespoons of chopped salt pork. In stuffing, give the chicken, as far as possible, its original shape, and sew it up securely. Turn the ends of the wings under the back, cie or skewer them firmly, and tie the legs down close to the body, so that the top will present a plump surface to carve in slices across. Lard the chicken with two rows of fat pork on the top. Bake until done, basting often. Allow fifteen minutes to a pound in baking. Serve with aspic jelly.

For the Modern Kitchen

A boned, stuffed and roasted fowl in the galantine tradition, written for cooks who had butchered poultry at home. Two things need translating: the boning sequence, and the fact that no oven temperature is given anywhere.

A Little History

The Butterick Cook Book (1911) came from the same New York firm that sold dress patterns, and it was aimed at the middle-class housekeeper who wanted a company dish without a professional cook. A boned fowl is exactly that: the technique belongs to the French galantine, in which the bird is emptied of bone, packed with a forcemeat, reshaped and served cold in jelly, but here it is stripped of the pistachios and truffles a hotel kitchen would have used and stuffed with chopped cold ham and salt pork instead — thrift dressed as elegance. The instruction to leave it undrawn is a reminder that this was written for households buying poultry whole; the boning itself does the eviscerating. Aspic jelly would have been the natural finish, and the emphasis on a plump surface that carves "in slices across" points to the cold buffet table rather than the hot dinner.

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