The Dixie Cook-Book

“The best is none too good.” Southern family receipts gathered across generations and printed in Atlanta in 1883 — and, in the same volume, everything else a household was expected to know: the laundry, the sick-room, dressmaking, babies, and a year's bill of fare.

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Grape Preserves

Pick grapes from the stems, pop pulps from the skins, doing two at a time, one in each hand between the thumb and forefinger. Put pulp in a porcelain kettle and stew gently until the seeds are loosened then strain and rub it through a sieve, weigh it with the skins, and to every pound of this allow one pound of granulated sugar. Put skins and juice in kettle, cover closely, and cook slowly until the skins are tender; while still boiling add the sugar, and move the kettle back, as it must not boil again; keep very hot for fifteen minutes, then, seeing that the sugar is thoroughly dissolved, pour the fruit in cans, and screw down the covers as soon as possible.

For the Modern Kitchen Do not make this as written.

A classic slip-skin grape preserve, made by separating pulp from skins so the seeds can be sieved out and the skins cooked tender on their own. The instructions are sound; only the vessel, the sealing method and the vague heat cues need translating.

A Little History

Preserves of this kind depend entirely on the American slip-skin grape, whose skin separates cleanly from the pulp -- a trait that European wine grapes lack and that shaped a whole family of nineteenth-century recipes built around separating, sieving and reuniting the two parts. The Concord, selected in Concord, Massachusetts, and introduced commercially in 1854, had spread widely by the time compilations like The Dixie Cook Book appeared in the 1880s, and the fruit ripened all at once in early autumn. That glut may well explain the recipe's place in the Preserves chapter: pound-for-pound sugar was the standard keeping ratio, high enough to hold a jar through the winter, and the fussy two-handed popping of pulps from skins was simply what an afternoon's work looked like when the alternative was letting the crop fall.

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