The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1027

Lobster a la Britannia

Homard a la Britannia

Boil two lobsters of two pounds each in boiling water with some cut up carrots and onions, parsley, thyme, bay leaf, and vinegar; cook for twenty to thirty minutes, then let the stock settle, and pour off the top steadily from the sediment; divide the bodies from the tails, take out the meat from the latter, also from the claws, and keep it warm in a little of the stock; take also the creamy parts from the bodies and rub them through a sieve. Reduce a pint of mushroom broth or essence (No. 392) with half a pint of veloute sauce (No. 415), and half a gill of meat glaze (No. 402), also one gill of Madeira wine; thicken it with four tablespoonfuls of bread-crumbs, and season with salt, red pepper, and nutmeg; add half a pound of mushroom heads, and half a pound of small artichoke bottoms cut in four. Escalop the lobster tails, dress them in a crown shape, and place the rest of the meats in the center, on top lay the mushrooms and artichoke bottoms, then finish the sauce by thickening with egg-yolks, butter, and cream, add some lemon juice, and chopped parsley, also the creamy parts from the bodies; pour the sauce over the lobster, and serve very hot.

For the Modern Kitchen

Ranhofer writes for a brigade with stocks and sauces already on hand; the cross-referenced numbers are the tell. Read the sauce as three ready-made components you will have to build or substitute before you start.

A Little History

The Epicurean (1894) is Charles Ranhofer's record of thirty-odd years as chef at Delmonico's in New York, and this is a characteristic entry: a plainly boiled lobster reassembled into architecture, with a sauce assembled from three other numbered recipes in the same book. The nineteenth-century French kitchen named dishes freely after nations, sovereigns and ships, and à la Britannia belongs to that habit rather than to any documented British cooking — nothing in the method is English, and the velouté, glaze and egg-yolk liaison are pure Paris in style, though the line back to Carême and Urbain Dubois is more atmosphere than documented derivation. What the recipe really shows is how a great restaurant used lobster: two whole animals broken down, the shells' cooking liquid saved, the tomalley and coral sieved back into the sauce so that nothing edible left the kitchen. The crown arrangement of escaloped tail with the claw meat heaped inside completes the effect.