The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1028

Lobster a la Camille

Homard a la Camille

Heat in a sautoir some good sweet oil, and throw into it live lobsters, each one cut across into twelve pieces; season with salt, pepper, mignonette, thyme, bay leaf and cayenne pepper; toss them over a brisk fire for twelve minutes, then add three medium fresh tomatoes, peeled, seeded and cut in dice, a few parsley leaves and a clove of crushed garlic; let reduce for ten minutes, then pour in a gill of brandy, set it on fire, and as soon as it is extinguished pour in two gills of white wine, reduce to half, and just when ready to serve, add some meat glaze (No. 402) and lemon juice.

For the Modern Kitchen

A Delmonico's-era sauté in the à l'américaine family: shellfish cooked hard in oil in the shell, flamed with brandy, finished with wine and glaze. Two things carry it — cutting the lobster raw, and having a real meat glaze on hand.

A Little History

This is No. 1028 in Charles Ranhofer's The Epicurean (1894), the vast compendium of the cooking he did over some thirty years at Delmonico's in New York. It belongs to the group of dishes built on the method that emerged in Paris in the 1860s as homard à l'américaine — lobster cut up raw in the shell, seared in oil rather than poached in court bouillon, then flamed and finished with tomato, garlic and wine. The oil and garlic, where a classical fish preparation would have used butter, are usually explained as a Provençal-Mediterranean influence on haute cuisine; the long-running argument over whether the name should be américaine or armoricaine, after the old name for Brittany, has never been settled, though armoricaine is generally taken to be the later of the two. Ranhofer's book carries a long run of lobster preparations distinguished by dedication — Britannia, Créole, Camille — which need not imply a claim about any particular person.