The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1189

Lamprey a la Rabelais

Lamproie a la Rabelais

Bleed the lamprey, reserving the blood, and mix it in with a little vinegar; cut the fish into slices, fry them in butter adding chopped onions, salt, sugar, and allspice; dredge over with a little flour, moisten with white wine, and lay in a bunch of parsley garnished with thyme and bay leaf, also small glazed onions; let cook from twelve to fifteen minutes. Dress the lampreys and the small onions, thicken the sauce with the blood and then strain it through a tammy (No. 159); cover the fish with this sauce, and surround the lampreys with fluted mushroom heads (No. 118) fried in butter, and seasoned with salt, pepper, and fine herbs; range round the whole very thin sliced lemon.

For the Modern Kitchen Do not make this as written.

Ranhofer's method turns on a liaison of raw lamprey blood, and that is precisely where the dish fails for a modern cook. The notes below explain the problem and gloss the terms, but this is a recipe to read rather than cook.

A Little History

Charles Ranhofer, chef at Delmonico's in New York, published The Epicurean in 1894 as a compendium of the grand French repertoire as it was practised in America, and the Rabelais attribution is a nod backwards rather than a claim of authorship: François Rabelais, the sixteenth-century author of Gargantua and Pantagruel, is a byword in French gastronomic naming for enormous, unembarrassed appetite, and lamprey was among the luxury fish of his period. The jawless, eel-shaped lamprey was prized through the Middle Ages and Renaissance for its rich flesh, and for the practice of thickening its own sauce with its own blood — a technique it shares with lamproie à la bordelaise, still cooked in the Gironde with red wine and leeks. Henry I of England is traditionally said to have died of a surfeit of lampreys in 1135, a story repeated by chroniclers well after the fact and impossible to verify, but it fixed the fish in the popular imagination as food of dangerous excess. The dish appears here in a chapter that ranges across eel, pike, carp and sturgeon — the river-and-estuary fish that classical French cookery treated with elaborate sauces.