The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1402

Minions of Tenderloin of Beef a la Dumas

Mignons de Filet de Boeuf a la Dumas

When the minions are prepared and cooked as for plain (No. 1399), lay each one on a round slice of unsmoked but cooked beef tongue; let these be the same diameter as the minion and three-sixteenths of an inch in thickness. Reduce a veloute (No. 415) and soubise sauce (No. 543) to half, and when ready to serve thicken it with egg-yolks, raw cream, and a piece of fresh butter. Cover the minions with this sauce, strew over grated fresh bread-crumbs and grated parmesan cheese, and sprinkle with clarified butter; brown in a very hot oven or under a gas salamander (Fig. 123), and garnish the dish with ham croquettes shaped like small crescents, then serve.

Ham Croquettes.—Have a quarter of a pound of cooked ham cut in one-eighth squares. A quarter of a pound of mushrooms cut the same dimensions from which you will have pressed out all the moisture, add a little reduced bechamel (No. 409), and season with pepper and nutmeg (no salt). Put on the fire, and when cooked lay them on a dish to get cold, then divide the preparation into balls each an inch in diameter; roll them longways and shape them into crescents, dip them in beaten eggs, roll them in grated bread-crumbs and fry them in hot fat a fine color.

For the Modern Kitchen

Ranhofer writes for a brigade with stockpots already on the stove, so the recipe is mostly assembly instructions pointing at other numbers in the book. Read it as a plated composition: seared medallion, tongue base, enriched sauce, gratinated top, croquette garnish.

A Little History

The Epicurean (1894) is Charles Ranhofer's record of some thirty years as chef at Delmonico's in New York, and it is built like a reference work rather than a cookbook: over three thousand numbered entries that cross-refer to one another, so that a single dish assumes you already have velouté, soubise and béchamel to hand. The name à la Dumas is generally taken as a nod to Alexandre Dumas père, whose posthumous Grand Dictionnaire de cuisine (1873) made him a figure of some standing among professional cooks; French kitchens of the period attached the names of writers, singers and patrons to garnishes freely, and the label indicates a fixed combination rather than any recipe Dumas himself wrote. The construction is thoroughly of its moment — a tournedos set on a base (here tongue rather than the more usual crouton), masked in a sauce enriched to the point of near-collapse, gratinated, and ringed with a fried garnish shaped by hand into crescents. That last detail, shaping croquettes to a form, is a reminder that Delmonico's plating was done by cooks who had time and staff to spend on it.