The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1514

Fillet of Veal Sliced with Pelerine Potatoes

Tranches de Filet de Veau aux Pommes Pelerine

Slices of veal should bear no resemblance either to cutlets or minions. Slices of veal breaded and fried are often called cutlets which is an error, the name of cutlets should only be applied to a piece of meat cut from the rack having a rib bone ("cote," from which it derives its name) attached to it; sometimes the word is used for imitation cutlets, but as veal, mutton, or lamb the name should not be given to any part excepting to one containing a rib. They must be thin and pared oval-shaped; nor are they to be taken from the fillet or kernel, but from the large part of the minion fillet. Trim the meat, cutting it transversely into three-eighths of an inch thick slices; beat them well with a moistened cleaver to flatten, pare in ovals and season. Pour some clarified butter into a large sautoir, and cook the sliced meat in this over a good fire, turning them when done on one side; drain on a napkin, and glaze with a brush; dress them one overlapping the other on a long dish in one straight row, and surround with Pelerine potatoes. Serve a sauce-boatful of a tomato sauce (No. 549) and half-glaze sauce (No. 413) mixed, at the same time.

Pelerine Potatoes.-Have one-third of pate-a-chou (No. 132), and two-thirds of potato puree (No. 725); mix thoroughly together and form into balls three quarters of an inch in diameter; roll in flour, dip in eggs, roll once more in cracker-dust, then fry in hot fat to a fine color.

For the Modern Kitchen

Ranhofer opens with a lecture on nomenclature, but the cooking itself is quick: thin veal slices sautéed in clarified butter, brushed with meat glaze, and ringed with fried potato-and-choux balls. The fritters are the part that needs planning, since they want to be made before the veal goes in the pan.

A Little History

The Epicurean (1894) is Charles Ranhofer's record of thirty years' cooking at Delmonico's in New York, and this entry shows the book at its most characteristic: a plain dish of sautéed veal prefaced by a firm ruling on what may and may not be called a cutlet. The insistence that côtelette belongs only to a piece carrying a rib bone reflects French professional usage, which Ranhofer was defending against the looser American habit of calling any breaded veal slice a cutlet. The garnish is a variation on pommes dauphine, the mixture of potato purée and choux paste that appears throughout nineteenth-century French kitchen writing; coating and frying it in crumbs was one of a long series of named potato garnishes whose distinctions, like the cutlet's, were expected to be observed exactly. Names of this kind were the working vocabulary of a brigade writing menus in French for diners who read them as such.