The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1666

Carbonade of Lamb a la Jardiniere

Carbonade d'Agneau a la Jardiniere

A carbonade or loin is the end of the rack (Fig.335), from where the cutlets begin as far down as where the tail begins. Chop off entirely the chine bone without detaching the minion fillet, remove the skin covering the large fillet over its entire outside surface, and lard the meat with medium lardons (No. 3, Fig. 52). Roll over the flap, tie it with six rounds of string, forming a knot at each round, and then lay the meat in a saucepan lined with slices of fat pork, veal, ham, cut up vegetables, a garnished bunch of parsley and allspice, salt it over lightly and wet it with a beef stock (No. 194a); let fall to a glaze, then remoisten to its height with white wine and stock; allow the boiling to continue for five minutes, then uncover the saucepan and place it in a moderate oven to finish cooking, being careful to baste it frequently with its own stock, having it finally assume a fine color, Glaze, untie, dress and strain and skim the liquid, reduce and serve it in a sauce-boat; garnish around the meat with a jardiniere garnishing (No. 677).

For the Modern Kitchen

Ranhofer's cross-references assume you own the whole book, and his method assumes a butcher who will hand you an untrimmed rack. Here is what the instructions mean in a present-day kitchen.

A Little History

Charles Ranhofer wrote The Epicurean (1894) out of some thirty years running the kitchen at Delmonico's in New York, and the entry shows it: the recipe is really a set of instructions to a brigade, keyed by number to stocks and garnishes prepared elsewhere in the house. Carbonade is usually traced to Italian carbonata, meat cooked over coals, and by the nineteenth century French kitchens had stretched the word to cover a particular cut as much as a method, which is why Ranhofer has to open by defining it anatomically. A la jardiniere - "gardener's style" - is the classic French garnish of vegetables cut or turned to uniform shapes and finished separately in butter. The braise itself, started over a bed of pork, veal and ham and then finished uncovered so the surface glazes, is standard nineteenth-century brown braising, and near-identical variants appear through this section of the book, each distinguished mainly by what is arranged around the platter.