The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1837

Chicken Fillets or Breasts a la Chiselhurst

Filets ou Ailes de Poulet a la Chiselhurst

Raise the fillets from six two pound chickens; pare, suppress the skin, and lard six of them with small shreds of larding pork (No. 3, Fig 52) and the other six with slices of truffles the same size as the pork; pare the minion fillets and lard six with smaller pork lardons than those used for the fillets, and the other six with small pieces of truffles cut the same size. Lay them in two separate buttered sautoirs, the truffles in one and the larding pork in the other, having previously given the minion fillets the shape of a crescent. Cover over the truffled fillets with thin lardon of fat pork, and cook those larded with pork on a brisk fire while those with truffles are to be cooked more slowly. Dress in a circle alternating the two kinds, and fill the center with balls of truffle mingled with supreme sauce (No. 547). Place the truffled minions on top of the larded fillets and the larded minions on top of the truffled fillets: cover with a light supreme sauce, serving some of the sauce in a sauce-boat.

For the Modern Kitchen

Ranhofer is writing for a brigade with a larding needle, a truffle stock and a saucier already at work. Stripped of that, the dish is twelve chicken supremes, half studded with pork fat and half with truffle, sautéed gently and sauced.

A Little History

The Epicurean (1894) is Charles Ranhofer's record of thirty-odd years as chef of Delmonico's in New York, and its chicken chapter runs to dozens of variations on the same pair of fillets, each distinguished by a garnish and a proper noun. The spelling here points to Chislehurst in Kent, best known in Ranhofer's working life as the place where Napoleon III lived out his exile at Camden Place and died in 1873, with the Empress Eugénie remaining there for years afterward; a dish built on truffles and larding pork for a deposed court, though the attribution is traditional rather than something Ranhofer troubles to explain. What the recipe really demonstrates is the house style: a symmetrical ring of alternating light and dark, each element mirrored by its opposite on top, arranged so that the plate reads as a pattern before anyone tastes it.