The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1972

Pullet a la Dame Blanche

Poularde a la Dame Blanche

Truss a pullet to be served as an entree (No. 178), rub over the breast with half a lemon, and cover with slices of fat pork. Poeler the pullet in some good stock, as explained in No. 12, adding to it a piece of bacon previously blanched. When the pullet is cooked, strain the stock, free it of fat, and keep the chicken hot in this. Place on the fire to reduce four gills of veloute sauce (No. 415), incorporating a part of the reduced stock slowly into it with a coffeespoonful of prepared red pepper (No. 168); when succulent, strain. Dress the pullet on a thin layer of forcemeat (No. 79) poached on a dish, surround it with small clusters of potatoes cut in balls with a large vegetable scoop, and simply cooked first in salted water, then steamed. Cover the pullet with a part of the sauce, serving the remainder separately. Pullets or capons may be handed round to the guests after being cut up, and they can also be carved on the dining-room sideboard, and served on hot plates with some of the garnishing, and a little of the sauce.

For the Modern Kitchen

Ranhofer writes for a brigade that already knows his numbered base preparations, so the work here is mostly in the cross-references. Read the whole thing as a poêled bird finished with a velouté, garnished with turned potatoes on a forcemeat base.

A Little History

Dame blanche is one of the nineteenth-century French kitchen's colour names: a dish built to stay white, here a barded pullet rubbed with lemon to keep the skin pale, cooked covered so it never browns, and masked in velouté rather than a brown sauce. The name is generally traced to Boieldieu's 1825 opera La Dame Blanche, which was popular enough across Europe to attach itself to any number of pale preparations, savoury and sweet alike; the ice-cream coupe of the same name survives in Belgium and the Netherlands. Charles Ranhofer, chef at Delmonico's in New York for more than thirty years, published The Epicurean in 1894 as a working compendium of that repertoire, which is why this entry reads as a set of instructions to someone who already has velouté, forcemeat and poêling stock standing by. The closing note about carving on the dining-room sideboard belongs to the habits of service à la russe, by then well established in fashionable American dining: the bird could be presented whole, then broken down in the room, a piece of theatre the modern kitchen has largely given up.