The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1997

Blanquette of Pullet with Mushrooms

Blanquette de Poularde aux Champignons

Begin by detaching the legs from a trussed and singed pullet, cut each of these in two, then lay them in a vessel containing water; divide the breast in two and cut each piece into three parts; plunge them also into the cold water with the cut up carcass; let soak for fifteen to twenty minutes then drain and lay them in a saucepan with an onion and a bunch of parsley, and cover plentifully with white chicken broth (No. 188); boil and skim this liquid for twelve minutes then take it off the fire. Prepare a white roux (No. 163) with flour and butter, dilute it with the strained and skimmed pullet broth when partially cold and stir this sauce well until it boils; let it despumate for a quarter of an hour on the side of the fire while removing the fat from the surface. Pare and wipe the pieces of pullet, return them to the saucepan with two dozen turned mushrooms (No. 118); strain the sauce over and finish cooking, finally dressing the pieces of pullet in a deep dish with the mushrooms. Reduce the sauce for a few minutes, thicken with two egg-yolks finishing it off the fire with a piece of butter worked in, also some lemon juice; strain and pour it over the pullet.

For the Modern Kitchen

Ranhofer assumes a working brigade and a shelf of cross-referenced base preparations, but the dish itself is simple: a chicken poached in white stock, the stock turned into a velouté, the sauce finished with yolks and butter. A few of his terms and steps need translating.

A Little History

Blanquette comes from blanc, white, and names a family of French ragoûts in which nothing is browned: no coloured roux, no seared meat, and often a lemon-and-yolk finish to keep the sauce pale and slightly sharp. Veal is the version most people know, but nineteenth-century kitchens applied the method to chicken, lamb and rabbit alike, and Charles Ranhofer — chef at Delmonico's in New York and author of The Epicurean (1894) — files this one among his capon and pullet dishes. The book's cross-references are its signature: a single recipe leans on numbered entries for stock, roux and garnish, which is how a restaurant kitchen actually worked, with those components standing ready each day. The insistence on soaking the bird and skimming the sauce repeatedly reflects a period taste for absolute whiteness in a blanquette, a visual standard that mattered as much to the dining room as flavour did.