The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 2486

Galantine of Chicken a la d'Orleans

Galantine de Poulet a la d'Orleans

Bone two young chickens weighing two pounds each; leave on only the white meat adhering to the breasts, and suppress the leg meats; remove some of the breast meat adhering to the skin and place it where the skin is bare. These chickens when boned and stuffed should only weigh two pounds and a half each. Fill them with quenelle forcemeat (No. 89), into which mix a salpicon of truffles, pistachios, tongue and foies-gras, all cut in quarter-inch squares; let cook in a stock (No. 194a) for two hours, unwrap, wash out the cloths and rewrap them as before; hang them up by one end on a hook, and to the other end fasten a sufficiently heavy weight; leave them hanging for twelve hours; unwrap and pare them alike, then cover with an ordinary white chaudfroid (No. 596); decorate the tops with fanciful designs of truffles dipped in half-set jelly so they adhere well to the galantines; when thoroughly fastened coat over with jelly spread over with a funnel made for this purpose (Fig. 759), and stand them against the support; place one on each side. The cup is filled with small truffles. Arrange some square of jelly around the support, and chopped jelly between the support and croutons, as shown in the drawing.

For the Modern Kitchen Do not make this as written.

A full cold-buffet showpiece from Ranhofer's Delmonico's kitchen, written for cooks who had the rest of the book at hand. Almost every element is a cross-reference, and the assembly assumes a garde-manger with aspic, a decorating funnel and a carved support to lean the galantines against.

A Little History

The Epicurean (1894) is Charles Ranhofer's record of thirty-odd years as chef of Delmonico's in New York, and the Cold Service chapter is the part of the book most obviously written for the display table rather than the household. Galantine -- the word is generally traced to Old French forms related to gelatine, and the dish is defined by the jelly that sets around it -- was the classic garde-manger exercise: a bird boned out whole, restuffed richer than it began, poached, pressed and then decorated in white sauce and aspic so that the finished object looked nothing like poultry. Suffixes such as a la d'Orleans functioned as menu shorthand for a particular garnish and presentation rather than a place of origin, and Ranhofer used dozens of them. The instruction to lean the two galantines against a carved support with a cup of small truffles between them is a reminder that this food was built to be looked at down the length of a banquet table, carved late in the evening if at all.