The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 2489

Galantine of Gosling, Melon-Shaped

Galantine d'Oison en Forme de Melon

After singeing and boiling a gosling remove all its meat, spread out the skin on a buttered napkin, cut up the breast into five-eighths of an inch squares, suppress all sinews from the legs and add as much pork meat and veal meat to obtain a pound and a half in all; chop this well, then chop separately a pound of fat pork, and half a pound of beef marrow. Pound all well together and mix in with the pulp a clove of crushed and chopped garlic, some finely cut-up mushrooms, salt, spices No. 2 (No. 168), and a few egg-yolks. Lay this forcemeat on the skin and close up the napkin, giving it a round shape; tie and cook in a stock (No. 194a). Unwrap and then retighten the napkin and flatten lightly, so as to give it the shape of a melon; let cool for twenty-four hours, afterward imitate a melon by cutting eight half-inch deep grooves from top to bottom, glazing it over with white chaudfroid (No. 596) colored with yellow. Paint it with spinach green (No. 37) to imitate a cantaloup melon, and coat with layers of half-set jelly. Imitate the stalk and melon leaves with modeling fat (No. 56) and dress it on a dish, garnishing around with chopped jelly and croutons of jelly.

For the Modern Kitchen

This is a cold buffet showpiece from Delmonico's kitchen, and it depends on cross-references Ranhofer expected you to have at hand. The hinge is the cloth: the galantine takes its melon shape from being wrapped, poached, then rewrapped tighter while still hot, so have the napkin and twine ready before the forcemeat goes anywhere near the skin.

A Little History

Charles Ranhofer published The Epicurean in 1894 after decades as chef at Delmonico's in New York, and its cold service chapters are essentially a catalogue of trompe-l'oeil: hams glazed to look like fruit, salmon in aspic armour, and here a boned goose disguised as a cantaloupe. The word galantine is generally traced to Old French forms related to geline, a hen, and the technique is older than the disguise — bone a bird, rebuild it around a forcemeat, poach it in its own gelatinous stock and serve it cold in slices. What dates the dish to the late nineteenth century is the modelling: a banquet in this style was judged on the buffet table before anyone tasted anything, so grooving, colouring and glazing a galantine into a melon complete with sculpted stalk was labour with a clear commercial purpose.