The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 2846

Truffle Timbale a la Perigord

Timbale de Truffes a la Perigord

Decorate a timbale mold with fanciful cuts of noodle paste (No. 142); dampen these and line the mold with a layer of fine foundation paste (No. 135) an eighth of an inch in thickness; cover both bottom and sides of the timbale with very thin bards of fresh fat pork. Peel as many medium-sized truffles as the timbale will hold, having them black and mellow; put them to cook in a foies-gras terrine, seasoning with salt, pepper, nutmeg, sprigs of parsley, thyme and bay leaf, also some minced ham and Madeira wine; place the terrine in the oven and as soon as the liquid comes to a boil take it out and let stand till cold, leaving the truffles in with the stock. Suppress the thyme and bay leaf, drain off the stock and reduce it with a pint of financiere sauce (No. 464) reduced to the consistency of a succulent sauce; transfer the truffles to the timbale, cover with a part of the sauce and lay over a flat of the same paste. Cook the timbale in a hot oven for three-quarters of an hour and serve unmolded; pour the remainder of the sauce into an aperture on top; serve at once.

For the Modern Kitchen

A pastry-cased timbale of whole black truffles in a reduced Madeira sauce, written for a brigade kitchen with a truffle budget to match. The cross-references in the original point to other numbered recipes in The Epicurean; the notes below cover what they contain and what the vessels and temperatures mean.

A Little History

Perigord, in southwest France, was and remains the byword for the black winter truffle, Tuber melanosporum, and by the nineteenth century "a la Perigord" or "a la perigourdine" on a French menu simply signalled that the dish was built around black truffles, usually with Madeira and foie gras nearby. Charles Ranhofer, chef at Delmonico's in New York, published The Epicurean in 1894 as a complete record of what that kitchen could produce, and its truffle recipes depend on a trade in imported preserved and fresh truffles that ran through the great American hotels in the 1880s and 1890s. The timbale itself, built in a mold and unmolded whole, with a vent on top for the sauce, is characteristic of that era, where a dish was expected to arrive as an object before it was eaten. Serving whole truffles as the substance of a course rather than as a garnish was the clearest way a kitchen could state its expense, and Ranhofer gives several variations on the theme in this section.