The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 2852

Eggs au Miroir a la Lully

Œufs au Miroir a la Lully

Butter a large dish or baking pan; break in six eggs, pour boiling butter over the yolks, and put in a very hot oven or under a salamander (Fig. 123); when done properly cut them rounded with a pastry cutter two and a quarter to two and a half inches in diameter; take them up with a large palette and dress on a dish on slices of ham of the same dimensions, and three-sixteenths of an inch thick, and the ham on croutons of fried bread cut the same, having taken them from the kernel part of a good raw him; fry them in butter in a pan, turning them over. Fill the center of this circle with a hash made of sliced and seasoned ducks' livers mingled with a little brown Madeira wine sauce (No. 492).

For the Modern Kitchen Do not make this as written.

A composed shirred-egg dish from Delmonico's: eggs baked glossy-side-up, trimmed to discs, and stacked on ham and fried bread with a duck-liver hash in the middle. Nearly all the difficulty is in the assembly, not the cooking.

A Little History

The Epicurean (1894) is Charles Ranhofer's record of some thirty years as chef at Delmonico's in New York, and its egg chapter runs to a long series of au miroir variations distinguished mainly by garnish and by name. The names come from the opera house and the clubroom — Meyerbeer, Jockey Club, and here Jean-Baptiste Lully, the Florentine-born composer who ran music at the court of Louis XIV. Naming garnishes after composers and clubs was common in nineteenth-century French kitchens. What the dish does say plainly is how a restaurant of that period thought about eggs: not as a quick breakfast but as a base to be trimmed, stacked, ringed and sauced, with duck livers and Madeira treated as everyday pantry items.