The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 297

Chartreuse Soup

Potage a la Chartreuse

Boil up two quarts of clarified veal broth; put into it four or five spoonfuls of French tapioca, and let cook together for twenty-five or thirty minutes; strain, and return it to the saucepan on the side of the range. Prepare with some thinly rolled out raviole paste (No. 147), four or five dozen small ravioles, filling them with three different preparations; one-third of them with a good puree of spinach, one-third with a puree or cooked foies-gras combined with a little melted beef extract, and the other third with finely chopped up fresh oronge-agaric, thickened with a little reduced sauce, or should there be no oronge-agaric then use cepes or peeled mushrooms. Plunge into boiling water four or five not over ripe tomatoes; drain them as soon as the skin peels off, and press them through a tammy, and if the puree be too thin, then let it drain on a fine sieve, reserving the liquid, and putting it into a saucepan with some good veal stock and reduce it to a half glaze. Cook the ravioles slowly in salted water for twelve to fifteen minutes with the cover on, then drain, and lay them in the soup tureen. Remove the soup from off the fire, mix it in with the puree of raw tomatoes, season, and pour it over the ravioles.

For the Modern Kitchen Do not make this as written.

A composed consommé from Ranhofer's Delmonico's kitchen: clear veal broth thickened with tapioca, poured over three kinds of tiny ravioli. Most of the work is in the filling, and the whole thing can be ruined in the last thirty seconds.

A Little History

The Epicurean (1894) is Charles Ranhofer's record of thirty-odd years as chef at Delmonico's in New York, and this soup shows the house style: a clear broth used as a frame for small, laboriously made garnishes. The name is a French kitchen convention rather than a description — à la chartreuse is generally traced to the Carthusian monks and their meatless cookery, and by the nineteenth century it had come to signal a dish built up of neatly arranged vegetable elements, most famously the moulded chartreuse de perdreaux. Here the reference is to the three-coloured trio of fillings, though the foie gras and beef extract have long since left any monastic idea behind. The tapioca is worth noticing too: imported cassava pearl reached fashionable European and American kitchens in the nineteenth century as a way of giving a consommé faint body without the cloudiness of flour, and Ranhofer uses it in a whole series of clear soups.