The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 3009

Compiegne with Sabayon

Compiegne au Sabayon

Butter a dozen small timbale molds (No. 1, Fig. 137), and fill them three-quarters full with Compiegne paste (No. 3236); let rise in a mild temperature, then set them on a baking sheet, and cook in a slack oven. When done, remove and cut them off exactly level with the molds; unmold and dip them at once into a light syrup flavored with Madeira wine and vanilla; drain on a grate, and then dish them up in a circle. Prepare some rings of apricot paste of the same diameter as the top of the timbales; put them on the top of each Compiegne, place a mirabel plum in the center of each, and stick a piece of angelica into each one. Cover the Compiegnes with a Madeira sabayon, as for cabinet pudding (No. 3096), serving more of it separately.

For the Modern Kitchen

This is a cross-referenced recipe in the manner of The Epicurean — half the work sits in the numbered pastes and sauces it points to. What follows fills in the blanks and puts numbers on the oven.

A Little History

Gâteau de Compiègne takes its name from the town north of Paris, long a royal and then imperial residence, and the cake is generally traced to the kitchens associated with that court in the middle of the nineteenth century — the attribution is traditional rather than documented. It belongs to the same family as the savarin and the baba: a rich yeast-leavened cake, baked in a mold and soaked in flavored syrup. Charles Ranhofer, who ran the kitchens at Delmonico's in New York and published The Epicurean in 1894, gives it here in individual portions, dressed with fruit paste, a preserved plum and candied angelica, and flooded with Madeira sabayon — an assembly that says a good deal about the period's appetite for a dessert built in layers from separately prepared components, each with its own number in the book.