The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 3020

Croustades of Venice, Meringued

Croustades de Venise Meringuees

Line some small buttered fruit pie circles, three-quarters of an inch high and two and a quarter inches in diameter, with fine foundation paste (No. 135), or else puff paste parings (No. 146); raise an edge and pinch it; place them on a baking sheet and egg the edges of each pie over twice. Put into a vessel four spoonfuls of fecula or arrowroot, six ounces of vanilla sugar, a grain of salt, eight whole eggs and eight yolks; mix well with a whisk and dilute with a pint and a half of cream or rich milk; strain the preparation through a sieve and then pour it into a saucepan containing four ounces of fresh butter; stir on the fire until the butter is entirely melted, and with this preparation fill the small pies, then put them into a slack oven to cook without browning; when the cream has set and the paste is cooked, remove the croustades and leave them till nearly cold. Cover the tops with meringue, forming it into a dome; decorate this, leaving a hollow in the center and dredge vanilla sugar over the whole; return them to a slow oven to brown to a fine light golden color, then take them from their molds and finish decorating with apricot marmalade (No. 3675) pushed through a cornet and some angelica and preserved cherries (demi-sucre).

For a Large Croustade.—Line a shallow hot pie mold with fine foundation paste (No. 135) or puff paste parings (No. 146); lay it on a baking sheet and fill it up with the same preparation as for the above; put it into a slack oven to cook for one hour. When the cream has set and the paste is cooked take out the croustade and let get partly cold before unmolding; cover it with meringue (No. 140), shaping it as a dome; decorate and finish the same as for the above.

For the Modern Kitchen

A baked vanilla custard in a pastry case, capped with meringue — essentially an individual crème pâtissière tart browned under a soft meringue dome. The whole thing hinges on low, steady heat: the custard must set without ever bubbling, and the meringue must dry and color rather than weep.

A Little History

Charles Ranhofer ran the Delmonico's kitchens in New York for over thirty years, and The Epicurean (1894) is his attempt to set the entire repertoire down in one volume, cross-referenced by number so that a cook could chase a sauce or a paste back to its own entry. A croustade is simply a crust used as a container, and the Venetian name here is often said to follow the nineteenth-century French habit of attaching city names to garnishes and finishes rather than recording any genuine Venetian origin, though that is inference rather than documented fact. What dates it most clearly is the finish: apricot marmalade piped from a paper cornet, angelica cut into leaves, half-candied cherries. That kind of decoration was the visible proof of a professional kitchen.