The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 3024

Crusts with Cherries or Strawberries a la Michelet

Croutes aux Cerises ou aux Fraises a la Michelet

Cut some slices an inch thick from a very firm kitchen loaf, using only the crumb part; from them obtain six rounds with a two and a half inch diameter pastry cutter, and cut these rounds in two through their diameter so as to have twelve half-rounds. Cut partly through these half-rounds a short distance from the edge with a small kitchen knife, square the corners and plunge them into hot clarified butter to have them assume a fine golden color. Drain them at once on a cloth, wipe and empty out the centers. Cover the inside with apricot marmalade (No. 3675) and fill them level to the top with rice and cream (No. 160) flavored with vanilla and finished with a few egg-yolks and then mask the tops with a heavy layer of strawberry jam, mixed with almonds and pistachios. Dress these crusts prepared in this manner in a circle on a dish and fill the center of it with stewed fresh cherries or candied cherries washed in boiling water and softened in a light syrup, then mingled with apricot marmalade and kirsch. Serve separately a sauce-boat of cherry syrup with a few spoonfuls of currant jelly added and flavored with kirsch.

For the Modern Kitchen

A composed hot entremets built from fried bread cases: three separate preparations (fried croûtes, a yolk-enriched rice cream, a cherry compote) assembled at the last minute. Read the cross-references first, since half the recipe lives in them.

A Little History

This comes from Charles Ranhofer's The Epicurean (1894), the enormous compendium he assembled from decades as chef at Delmonico's in New York, and it is a textbook example of the book's method: nothing here is invented from scratch, everything is assembled from numbered preparations kept ready in a large professional kitchen. Croûtes of fried bread filled with fruit and cream were a standard nineteenth-century French entremets, a thriftier cousin of the puff-pastry vol-au-vent and a relative of the croûte-au-pot and pain perdu family — stale bread promoted to the dessert course. The Michelet name follows the period habit of dedicating garnishes to public figures; the historian Jules Michelet, who died in 1874, is the usual assumption, though as with most such attributions in Ranhofer the connection is traditional rather than documented. The kirsch, the pistachios and the layering of three different fruit preserves in a single two-and-a-half-inch case say a good deal about what a Delmonico's dessert course was expected to deliver.