The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 3028

Crusts with Pears a la Douglas

Croutes aux Poires a la Douglas

Cut some half-inch thick slices from a kitchen loaf and form them into rounds with a plain cutter two and a half inches in diameter; remove the center of these rounds with another cutter an inch in diameter so as to make them into rings. Put two egg-yolks into a basin and dilute with a pint of good cream, adding two ounces of sugar flavored with half a grated orange peel and pass the whole through a colander over the bread rings. After they have well soaked, drain and dip them in pulverized macaroons, then in beaten eggs and lastly roll in white bread-crumbs; fry to a fine color in clarified butter; drain and mask the surface with apricot marmalade (No. 3675); throw over a pinch of powdered burnt almonds and dress in a circle on a dish; fill the center with fine pears cooked in syrup, some Malaga raisins and candied orange peel cut in small shreds and combined with apple jelly (No. 3668) and maraschino. Serve separately a sauce-boat of kirsch syrup thickened with a few spoonfuls of dissolved apple jelly and the pulp of two oranges free of their white skin and seeds.

For the Modern Kitchen

A fried custard-soaked bread ring, glazed with apricot and filled with poached pears — Ranhofer's assembly of three or four separate preparations onto one dish. Read it as components rather than a single sequence.

A Little History

Charles Ranhofer, chef at Delmonico's in New York, published The Epicurean in 1894 as a complete record of the restaurant's repertoire, which is why recipes like this one cross-reference numbered preparations elsewhere in the book — the apricot marmalade at No. 3675, the apple jelly at No. 3668 — rather than repeating them. Croûtes, in nineteenth-century French practice, were sweet entremets built on a base of fried or oven-dried bread, a respectable use for the day-old loaf that a large kitchen always had on hand; the neighboring numbers here give the same treatment to peaches. The suffix "à la Douglas" may reflect the era's habit of naming dishes for patrons, though Ranhofer rarely explains who such people were, and the dedicatee cannot be identified now. The Malaga raisins, candied orange peel, maraschino and kirsch are the standard luxury pantry of the period, signals that this was a dish for a paying dining room rather than a household kitchen.