The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 3097

Countess Pudding

Pouding a la Comtesse

Prepare a small biscuit preparation the same as for lady fingers (No. 3377); spread it out on a sheet of buttered paper to the thickness of three-sixteenths of an inch, and cook in a slack oven, being careful to keep it soft. As soon as done remove from the oven, take off the paper and cut the cake into four-inch wide bands down its entire length; cover each one of these bands with a layer of strawberry marmalade passed through a sieve, and roll them up into cylindricals an inch and a half in diameter; wrap them at once in paper to tighten and keep firm, and let them rest for one hour, then cut them into slices a quarter of an inch thick. Butter a dome-shaped cylindrical mold, and with the rolled slices of cake cover the interior sides, then fill the empty hollow with a Saxony souffle pudding preparation (No. 3107); place it in a saucepan with boiling water to half its height and let come to a boil, then remove the saucepan from the fire, and push it into a slack oven. After forty minutes take it out and let cool off for a few moments, then unmold on a dish, and cover with hot apricot marmalade (No. 3675). Serve a sauceboat of Richelieu and liquor sauce made as follows: Heat a pint of thirty-degree syrup, and remove it from the fire, thicken with a little arrowroot dissolved in cold water, and add a few cherries (demi-sucre) and shredded pistachios; flavor with kirsch.

For the Modern Kitchen

Ranhofer writes for a professional brigade with a numbered cross-reference system, so this reads as an assembly job. Three components are involved: a thin sponge (lady-finger batter baked as a sheet), a jam-rolled lining, and a soufflé pudding batter steamed inside it.

A Little History

Charles Ranhofer ran the kitchens at Delmonico's in New York and published The Epicurean in 1894 as a complete working record of that cuisine, which is why entries like this one are written as cross-references rather than as standalone recipes. Puddings a la comtesse, a la duchesse, a la royale and the like belong to a nineteenth-century French convention of naming garnished dishes after ranks and titles; the names signalled a formula to a trained cook rather than commemorating any particular countess. The construction itself — a mould lined with jam-rolled sponge and filled with a hot soufflé — is a hot cousin of the charlotte russe, and the finishing touch of a kirsch-flavoured syrup sauce studded with candied cherries and pistachios shows the period's taste for a dessert that arrived at the table looking deliberately engineered.