The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 3115

Rice with Apples

Riz aux Pommes

Prepare some minced apples, the same as for an apple charlotte (No. 3008), not having them too sweet. Blanch eight ounces of picked and washed rice, drain on a sieve, refresh and put it in a saucepan with some milk; cook it slowly without stirring, keeping it slightly consistent, and lastly mix in four ounces of powdered lemon sugar, a few spoonfuls of cream and a piece of butter; remove to a much slower fire in order to allow the liquid to became entirely absorbed, then take up the rice with a spoon and place it in layers on a deep dish, alternating each one with a layer of the apples, giving the whole a dome shape, and finishing with the rice. Dredge the top with cinnamon or vanilla sugar and serve at once.

Sugar Flavored with Vanilla.—Have four ounces of vanilla beans, split them in two, chop and pound them in a mortar with a pound and a half of loaf sugar until exceedingly fine, then pass through a fine hair sieve. Keep in a hermetically closed box in a dry place until needed for use.

For the Modern Kitchen

Ranhofer assumes you have already made the apple filling elsewhere in the book and that you can judge rice by eye. Two conversions and one omission are worth settling before you start.

A Little History

This comes from Charles Ranhofer's The Epicurean (1894), the enormous compendium of the food he served over thirty years as chef at Delmonico's in New York, and it shows the book's method plainly: a dish defined by cross-reference, assuming a kitchen brigade that already has apple marmalade and flavored sugars standing by. Riz aux pommes belongs to the French repertoire of molded rice entremets that filled out the sweet course in the nineteenth century, cousins of riz à l'impératrice and the apple charlottes and gâteaux de riz that Carême's generation formalized. Rice cooked in sweetened milk was cheap and endlessly moldable, which is why it turns up both in grand hotel menus and in domestic cookbooks of the same decades — the difference here is the finish, a dome built in alternating layers and dusted with vanilla sugar that the kitchen ground itself, at a time when vanilla extract was still a young and much-adulterated commodity.