The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 3257

Roederer Cake

Gateau Roederer

Pound six ounces of almonds and six ounces of pistachios with a little milk to make a fine, soft paste. Put one pound of sugar in a basin, slowly add sixteen whole eggs, and beat until very light, heating it slightly on hot embers or on a very slow fire; put in the almond paste and continue beating for a few moments longer, then mix in with a small skimmer three-quarters of a pound of rice flour and lastly half a pound of melted butter. Butter a pound cake mold, line it with paper and fill it three-quarters full with the preparation; push into a very slack oven to cook for an hour and a quarter. When done remove and invert it on a grate to cool, then detach the cake from the paper and cut it across in two; fill it with some Bavarian cream (No. 3135), into which mix three ounces of pistachios pounded with a little vanilla syrup; cover the entire cake with hot apricot marmalade (No. 3675); coat it with pistachio fondant (No. 58) and bestrew immediately with finely shredded green pistachios; let the fondant dry, then slide the cake on a lace-paper covered board or dish and surround the base with a row of small cream cakes (No. 3295), glazed with sugar cooked to "crack" (No. 171) and sprinkled with shredded pistachios.

For the Modern Kitchen

A genoise-type sponge raised entirely by egg, then split, filled and enrobed. The batter is the difficult part; the assembly is patience.

A Little History

The Epicurean (1894) is Charles Ranhofer's record of thirty-odd years as chef at Delmonico's in New York, and it is full of dishes named for the restaurant's clientele, for visiting dignitaries and for the luxury goods it sold. Roederer is the Reims Champagne house, and champagne marques of this sort were familiar on fashionable American tables in the later nineteenth century; naming a pistachio-green entremets after a marque is a common enough kind of flattery, though no documented link between this cake and the firm survives beyond the name. The construction is haute-patisserie of the period: a nut-enriched sponge made on rice flour rather than wheat, split and filled, masked with apricot, coated in tinted fondant, and then set on a lace-paper board and fenced with small glazed pastries so that the whole thing arrives as an architectural object. Rice flour turns up elsewhere in Ranhofer's cake chapter -- the sand cake that follows this one is next in the sequence -- and it gives a drier, finer crumb, though Ranhofer does not say why he chose it here.