The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 3674

Apple Marmalade or Jam

Marmelade de Pommes

Quarter some apples, core and cut up small; put them into a basin with the juice of several lemons and a little water; cook. As soon as done pour on a sieve to drain, pressing them through afterward. Add to this pulp three-quarters of its weight of lump sugar, and stir well together. Pour it all into a tinned copper pan and stand it on the fire to cook the marmalade until it coats the spatula and drops from it in beads; stir continuously with a spatula. As soon as it is done pour into stone pots that have been previously heated.

For the Modern Kitchen

Charles Ranhofer assumes a cook who can read a sugar syrup by eye, so the one thing the text does not spell out is the finish. Everything else is straightforward once the units are translated.

A Little History

In French kitchen usage marmelade means a fruit pulp cooked down with sugar to a smooth, spreadable mass, with no implication of citrus peel; the English narrowing of the word to orange preserve is a local quirk. The term is generally traced to Portuguese marmelada, a stiff quince paste, from marmelo, quince, which is why the oldest of these preparations are firm enough to slice. Ranhofer, chef at Delmonico's in New York and author of The Epicurean (1894), includes a long run of these numbered marmalades because a professional kitchen needed them constantly as tart fillings, glazes and the base of charlottes, not merely as breakfast spreads. Apples earn their place at the head of the sequence for a practical reason: they were cheap, kept through the winter, and are rich enough in natural pectin and acid to set reliably without the commercial pectin that would not become a household product until the following century.