Fifty-Two Sunday Dinners

One grand dinner for every Sunday of the year, from Mrs. Hiller's 1915 classic — see what this week's Sunday dinner should be.

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Stewed Rhubarb

Wash and trim off ends of two pounds tender rhubarb; do not peel. Cut rhubarb in one-inch pieces. Put into baking dish and sprinkle generously with sugar, add just enough water to prevent rhubarb from burning. Cover and bake in oven very slowly until tender but not broken. (Slow cooking preserves its color.) One cup of Sultana raisins may be cooked with rhubarb. They must, however, be first picked over, stems removed, then covered with boiling water, drained, then covered again with boiling water and cooked until soft. Arrange a layer of rhubarb in baking dish, then a sprinkle of raisins and sugar and thus continue until all are used. Finish cooking as directed in the foregoing. Serve very cold. 1/3 cup Cottolene. 1 cup sugar. 2 eggs. 1/2 cup milk.

For the Modern Kitchen Do not make this as written.

A baked rather than boiled compote — the whole point is that the pieces hold their shape and their pink colour. Two details in the original need translating, and the four ingredients tacked on at the end belong to a different recipe entirely.

A Little History

Rhubarb reaches an American cookbook of this vintage as a spring vegetable used as a fruit — it is the first thing out of the garden after a northern winter. Its old name, pie plant, records exactly how it was mostly eaten. The baked-not-boiled treatment is recommended here on the grounds given in the parenthesis: gentle heat keeps the colour and the shape, where a saucepan on the stove reduces the stalks to fibre in minutes. The sultanas are a period touch, adding sweetness and body at a time when dried fruit was cheap and reliably in the pantry while fresh fruit in April was not. Cottolene, named in the stray line at the end, was a branded cottonseed shortening heavily advertised to American housewives as a cheaper substitute for lard; since it was on sale from the late nineteenth century well into the 1920s, its appearance brackets this book only loosely.

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