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Around Little Italy: Fiorini
There are a number of paste factories, all good and all clean. Take that of P. Fiorini, for instance, at a point a short distance above Costa Brothers. You cannot miss it for it has a picture of Fiorini himself as a sign, and on it he tells you that if you eat his paste you will get to be as fat as he is. Go inside and you will find that Fiorini can talk just enough English to make himself understood, while his good wife, his sole assistant, can neither speak nor understand any but her native Italian. But that does not bother her in the least, for she can make signs, and you can understand them even better than you understand the English of her husband.
Here you will see the making of raviolis by the hundred at a time. Tagliarini, tortilini, macaroni, spaghetti, capellini, percatelli, tagliatelli, and all the seventy and two other varieties. The number of kinds of paste is most astonishing, and one wonders why there are so many kinds and what is done with them. Fiorini will tell you that each kind has its distinctive use. Some are for soups, some for sauces, and all for special edibility. There are hundreds of recipes for cooking the various pastes and each one is said to be a little better than the others, if you can imagine such a thing.
Turn another corner after leaving Fiorini's and look down into a basement. You do not have to go to the country to see wine making. Here is one of the primitive wine presses of Italy, and if you want to know why some irreverent people call the red wine of the Italians "Chateau la Feet," you have but to watch the process of its making in these Telegraph Hill wine houses. The grapes are poured into a big tub and a burly man takes off his shoes and socks and emulates the oxen of Biblical times when it treaded out the grain. Of course he washes his feet before he gets into the wine tub. But, at that, it is not a pleasant thing to contemplate. Now you look around with wider and more comprehensive eyes, and now you begin to under- 2 stand something about these strange foreign quarters in San Francisco. As you look around you note another thing. Italian fecundity is apparent everywhere, and the farther up the steep slope of the Hill you go the more children you see. They are everywhere, and of all sizes and ages, in such reckless profusion that you no longer wonder if the world is to be depopulated through the coming of the fad of Eugenics. The Italian mother has but two thoughts-her God and her children, and it is to care for her children that she has brought from her native land the knowledge of cookery, and of those things that help to put life and strength in their bodies.
An Italian girl said to us one day: "Mama knows nothing but cooking and going to church. She cooks from daylight until dark, and stops cooking only when she is at church."
It was evident that her domestic and religious duties dominated her life, and she knew but two things-to please her God and to care for her family, and without question if occasion demanded the pleasure of her family took precedence. San Francisco's Latin quarter is appealing, enticing and hypnotizing. Go there and you will learn why San Francisco is a Bohemian city. You will find out that so many things you have thought important are really not at all worth while. Go there and you will find the root of Bohemian restaurants. These people have studied gastronomy as a science, and they have imparted their knowledge to San Francisco, with the result that the Bohemian spirit enters into our very lives, and our minds are broadened, and our views of life and our ideas have a wider scope. It is because of this condition, born on the slopes of Telegraph Hill, that we are drawn out of depressing influences, out of the spirit of self-consciousness, and find a world of pleasure, innocent and educational, the inspiration for which has been handed down through generations of Latins since the days of early Roman empire, which inspiration is still a power for good because it takes people out of themselves and places them where they can look with understanding and speak the language of perception. Little Italy's charm has long been recognized by artists and writers, and many of them began their careers which led to fame and fortune in little cheap rooms on Telegraph Hill. Here have lived many whose names are now known to fame, and to name them would be almost like a directory of world renowned artists and writers. Here is still the memory of Bret Harte and Mark Twain. Here is where Keith had his early studio. Cadenasso, Martinez, and many others know these slopes and love them.
To all these and many more the Latin Quarter of San Francisco possessed a charm they could find nowhere else, and if one desire to bring a saddened look to the faces of many now living elsewhere it is but necessary to talk of the good old days when Bohemia was on Telegraph Hill in San Francisco. Here they had their domicile, and here they foregathered in the little restaurants, whose claims to merit lay chiefly in the fact that they were rarely visited by other than the Italians of the quarter and these Bohemians who lived there.
Here was the inspiration of many a good book and many a famous picture whose inception came from thoughts that crystallized amid these surroundings, and here many a needy Bohemian struggled through the lean days with the help of these kind-hearted Latins. Here they, even as we, were taught something of the art of cooking.
Of course, if one desire to learn various methods of preparing food, it is necessary to keep both eyes open and to ask many questions, seeking the information that sometimes comes from unlooked for sources. Even at that it is not always a good idea to take everything for granted or to accept every suggestion, for you may meet with the Italian vegetable dealer who is so eager to please his customers that he pretends a knowledge he does not possess. We discovered him one day when he had on display a vegetable that was strange to us. "How do you cook it?" was our question. "Fry it."
Then his partner shouted his laughter and derision. "Oh, he's one fine cook. All the time he say 'fry it.' One day a lady she come into da store an' she see da big bucket of ripe olives. Da lady she from the East and she never see olives like dat before. 'How you cook it?' say da lady. 'Fry it,' say my partner. Everything he say fry it.” In another vegetable stand we found an Italian girl, whose soft lisping accent pronounced her a Genoese, and she diffidently suggested "a fine Italian dessert." "You take macaroons and strawberries.
Put a layer of macaroons in a dish and then a layer of strawberries, cover these with A FINE DESSERT sugar, and then another layer of macaroons and strawberries and sugar until you have all you want. Over these pour some rum and set fire to it. After it is burned out you have a fine dessert."
We bought the macaroons and strawberries on the way home and did not even wait for dinner time to try it. We pronounce it good.
It was made the right way and we advise you to try it, for it is simple and leaves a most delicious memory. WHERE FISH It was very early one morning. So early that one of us strenuously pretended sleep while the other gave urgent reminder that this was the day we were to go to Fishermen's Wharf.
Daylight came early and it was just four o'clock when we began preparations. A cup of hot coffee while dressing served to get us wide-awake, and we were off to see the fish come in.
COME IN Fishermen's Wharf lies over at North Beach, at the end of Meiggs's Wharf, where the Customs Officers have their station, and to reach it one takes either the Powell and North Beach cars, or the Kearny and North Beach cars, and at the end of either walks two blocks. When you get that far anybody you see can tell you where to go.
Fog mist was stealing along the Marin shore, and hiding Golden Gate when we arrived, and the rays of the sun took some time to make a clear path out to sea. Out of the bank of white came gliding the heavy power boats of the Sicilian and Corsican fishermen, while from off shore were the ghostly lateen rigged boats of those who had been fishing up the Sacramento and San Joaquin rivers, their yards aslant to catch the faint morning breeze. As they slipped through the leaden water to their mooring at the wharf we could see the decks and holds piled with fish and crabs.
Roosting on piles, and lining the water's edge on everything that served to give foothold, were countless seagulls, all waiting for the breakfast they knew was coming from the discarded fish, and fit companions were the women with shawls over their heads irreverently called mud hens, and old men in dilapidated clothing, who sat along the stringers of the wharf, some with baskets, some with buckets and others with little paper bags, in which to put the fish which they could get so cheaply it meant a meal for them when other-