Cassell's New Dictionary of Cookery

From Aberdeen Crullas to Zwiebach — the vast Cassell's dictionary with a recipe for everything, each priced to the penny ('Probable cost, 2s.'), plus the whole science of the 1912 kitchen.

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Icing, Vienna

Beat six ounces of fresh butter to a cream, add to it half a pound of icing sugar, a dessert-spoonful of brandy, and one of maraschino or other liqueur. Work this with a wooden spoon until creamy, and colour it if desired. This icing does not dry like the ordinary icing, but remains creamy. It can be squeezed on cakes and pastry through a forcing bag to form any required design or motto.

For the Modern Kitchen

This is a straightforward butter icing — what a modern kitchen would call a simple buttercream — and it works exactly as written. A few notes on proportions and handling.

A Little History

Butter-and-sugar icings arrived comparatively late in the English confectioner's repertoire — the older tradition was royal icing, egg white beaten with sugar until it dried to a hard white shell that could be cut with a knife and would keep a wedding cake respectable for months. Cassell's is careful to say what the Vienna sort does not do: it "does not dry like the ordinary icing, but remains creamy," which tells you which one a Victorian reader assumed was ordinary. The Viennese name reflects the prestige of Austrian pastry work in nineteenth-century Britain, when Vienna was widely regarded as a byword for fine cake-making and its name was attached to bread, rolls and coffee alike as a mark of refinement; the attribution is conventional rather than a claim about any particular Viennese kitchen. The maraschino is a period signature — a colourless liqueur distilled from Dalmatian marasca cherries and their crushed stones, then fashionable enough that Victorian recipes reach for it the way a modern one reaches for vanilla.

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