Cassell's New Dictionary of Cookery

From Aberdeen Crullas to Zwiebach — the vast Cassell's dictionary with a recipe for everything, each priced to the penny ('Probable cost, 2s.'), plus the whole science of the 1912 kitchen.

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Mutton Tails

Cut them into halves and boil, or rather stew, until tender, in broth or water, skimming the surface free of all fat, etc.; add salt, an onion or two stuck with cloves, a bunch of parsley, and a few fine herbs. When tender, take them out, drain, and score them, dip them into dissolved butter; cover with nicely-seasoned bread-crumbs, and when these have dried pour more dissolved butter over, and again cover with the crumbs, and brown with a salamander; thicken the gravy, add a little lemon-juice, and serve with the gravy poured over them, which should be strained. Mutton tongues may be cooked in the same manner, and served on the same dish, arranged alternately. Time, two to three hours to stew.

For the Modern Kitchen

A two-stage treatment familiar from other tail and tongue cookery: a long gentle braise, then a crumb coating browned under fierce top heat. Nothing here is difficult, but almost everything depends on the tails being genuinely tender before they are crumbed.

A Little History

Cassell's, like many Victorian household dictionaries, treats the whole carcase as usable, and tails belong to what butchers called the fifth quarter — the offal, extremities and trimmings that were cheap because the joints were dear. Lambs' tails were docked in spring as a routine husbandry job, and in sheep-rearing districts the docked tails went straight to the kitchen; "lamb's tail pie" is recorded in several English county traditions as a seasonal dish tied to that work. The method given here, stewing a gelatinous cut until tender and then crumbing and browning it, is the same treatment nineteenth-century books apply to calf's feet and ox palates: the braise supplies tenderness and the crust supplies the contrast that a plain stewed tail lacks. Serving tails and tongues alternately on one dish reflects a period taste for arranged, symmetrical platters rather than any culinary necessity.

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