Cassell's New Dictionary of Cookery

From Aberdeen Crullas to Zwiebach — the vast Cassell's dictionary with a recipe for everything, each priced to the penny ('Probable cost, 2s.'), plus the whole science of the 1912 kitchen.

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Salmagundi

A salmagundi is a sort of mosaic made with pickled herring, cold dressed chicken, salt beef, radishes, endive, olives, etc., all arranged with regard to contrast in colour as well as flavour, and served with oil, vinegar, pepper, and salt. The following is a good recipe for a salmagundi. Take a large round dish; place in the centre a bunch of fresh endive, and lay round it strips of herring or anchovy, interspersed with neat slices from the breast of a chicken. Put round these a band of hard-boiled yolk of egg chopped small, then one of green parsley, then slices of red beef or tongue, then the white of egg, and lastly a garland of sprigs of water-cress. Insert trimmed olives, green capers, radishes, barberries, etc., wherever they will be most effective. Serve with salad sauce. Sometimes the herrings for a salmagundi are opened, and the flesh is taken out without injuring the skin. It is then minced with an equal quantity of cold chicken and grated ham or tongue, seasoned rather highly, and put back into the skins till they look plump and of a good shape.

For the Modern Kitchen

A composed cold platter rather than a cooked dish, so the work is all in the sourcing and the arrangement. Two things decide whether it succeeds: everything must be cold and dry before it goes on the dish, and the dressing must not touch it until it reaches the table.

A Little History

The name descends from the French salmigondis, a medley or hotchpotch, and by the later seventeenth century it had crossed into English for a dish of many small cold things arranged together \em>Art of Cookery gives a "Salamongundy" of much the same kind, and the word had already drifted into general use for any jumble, which is why Washington Irving and his collaborators called their 1807 magazine Salmagundi. The entry is really a lesson in composition: a Victorian household with a cold roast fowl, a piece of tongue and a jar of pickles could turn remnants into something that looked deliberate, and the instruction to arrange "with regard to contrast in colour as well as flavour" is the point of the exercise. The concentric bands of chopped yolk, parsley and white are the same decorative grammar that produced garnished cold entrées and moulded aspics on the late-century buffet table.

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