The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1351

Sirloin of Beef a la Degrange

Contrefilet de Boeuf a la Degrange

Prepare and cook the sirloin the same as for a la de Lesseps (No. 1352); untie, glaze and lay it on a dish, garnishing both sides with carrots and green peas, and the ends with fried celery, strain and skim off the fat from the gravy, slip a part of it under the sirloin, serving the rest in a separate sauce-bowl.

Carrots and Peas, Garnishing.—Cut some carrots with a vegetable cutter into balls of three-eighths of an inch in diameter; blanch and cook them in white broth (No. 194a) with a little butter and sugar; when the carrots are done, and the juice well reduced, mix in an equal quantity of peas, thickening the whole with a little half-glaze (No. 400) and fresh butter.

Fried Celery.—Pick out the most tender leaves in the heart of a raw celery head; cut them into thin strips the whole length of the stalk; they may be either blanched or used raw. Dip each piece in a good frying batter (No. 137), and fry to a fine color in hot fat.

For the Modern Kitchen

A Delmonico's garnish assembly rather than a standalone recipe: the beef itself is cooked by cross-reference, and what is written out here is the trim. Read No. 1352 first, since the meat and its gravy come from there.

A Little History

The Epicurean (1894) is Charles Ranhofer's record of some thirty years as chef at Delmonico's in New York, and it follows the nineteenth-century restaurant convention of naming a dish for a patron or public figure and distinguishing it purely by garnish — this loin is cooked exactly as the loin at No. 1352 and differs only in what surrounds it on the platter. "A la de Lesseps" almost certainly nods to Ferdinand de Lesseps of the Suez Canal, a celebrity of the period; the Degrange of this entry is not identified in the recipe, and the name may as easily belong to a colleague in the kitchen as to a guest in the dining room. The construction is textbook grande cuisine: a large glazed joint, a glazed vegetable garnish set in matched pairs down the sides, something fried and architectural at the ends, and the sauce divided between platter and boat. Fried celery in particular belonged to an era when a garnish was expected to add height and crackle to a dish carved at the table.