The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1672

Lamb Cutlets a la Charleroi

Cotelettes d'Agneau a la Charleroi

Sauté sufficient trimmed and seasoned lamb cutlets in butter; when done, drain and arrange them on a baking sheet one beside the other; cover over with a buttered paper and let get cold under the pressure of a light weight. Pare the cutlets once more and lay on one of their sides a reduced and thick soubise puree (No. 723); smooth and let harden for an hour, then lift up the cutlets one by one, and dip them in a Villeroi sauce (No. 560), allow the surplus of this to drain off, then range them on a baking sheet, apart from one another so that they do not touch and keep this in a cool place to harden the sauce. Detach the cutlets from the sheet, trim off any surplus of sauce, and roll the chops in grated parmesan, dip them at once into beaten eggs, and cover over with white bread-crumbs; smooth the surfaces nicely and range them in a frying-basket (Fig. 121), plunge this into hot frying-fat, drain, trim the handles and serve on a folded napkin.

For the Modern Kitchen

Ranhofer assumes you have his sauce chapter open beside you; the whole dish is an exercise in building a coating that sets firm enough to breadcrumb. Everything below serves that one aim.

A Little History

The Epicurean (1894) is Charles Ranhofer's record of thirty years' cooking at Delmonico's in New York, and this cutlet is pure haute-cuisine assembly work of the kind that filled a brigade kitchen between services. The masking sauce is traditionally said to take its name from the Villeroy family of French marshals and courtiers, and cutlets "a la Villeroi" - coated, chilled, crumbed and fried - were a fixed item of the nineteenth-century repertoire. The Charleroi variant adds the soubise, the onion purée generally traced to the Princes de Soubise and long standard in French cooking. Whether the name points to the Belgian town of Charleroi or is simply one of the many decorative garnish names that classical kitchens minted and reshuffled is not clear from Ranhofer, who records the formula and leaves the etymology alone.