The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1673

Lamb Cutlets a la Clemence

Cotelettes d'Agneau a la Clemency

Have ten well-pared fine cutlets seasoned with salt and pepper; sauté them in butter, dress crown-shaped and fill the inside with a ragout made as follows: To a veloute sauce (No. 415) add some meat glaze, (No. 402) good Madeira wine and lemon juice, also escalops of lamb's sweetbreads fried in butter with minced mushrooms. Between each cutlet lay a round slice of salted, unsmoked red beef tongue cut three-sixteenths of an inch in thickness and one inch and a half in diameter; garnish around with fine Julienne potatoes (No. 2792); trim the cutlet handles with frills, and serve very hot.

For the Modern Kitchen

Ranhofer writes for a brigade that already has velouté, glaze and blanched sweetbreads standing by, so most of the work here is assembling components he assumes exist. Read it as a plating scheme with a garnish sauce attached.

A Little History

The recipe comes from Charles Ranhofer's The Epicurean (1894), the vast codification of what he cooked over three decades at Delmonico's in New York, and it shows the house style exactly: a plain sauté of good meat surrounded by a small architecture of garnishes, each cross-referenced to a numbered preparation elsewhere in the book. Dishes named "à la" plus a woman's first name are often said to have marked a composed garnish, perhaps honouring a patron or simply borrowed from an earlier chef's repertoire, and no particular Clémence has been documented behind this one. The pairing of sweetbreads with pickled red tongue is worth noting for what it says about the period's taste for colour on the plate — pink discs against white sauce and browned cutlets. The crown arrangement with paper frills, a presentation traditionally associated with rib cutlets, survives today mainly in the crown roast of lamb.