The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1841

Chicken Fillets or Breasts a l'Imperatrice

Filets ou Ailes de Poulet Imperatrice

Procure six young chickens each one weighing about a pound and a half; lift off the breasts with the pinions and large fillets attached and suppress all sinews and skin. Chop the fillets on both sides without penetrating through the flesh and season with salt, pepper and nutmeg; dampen the surfaces with egg-white, besprinkle with very finely chopped truffles and over these spread a very thin layer of cream forcemeat (No. 75); dip in fresh bread-crumbs and lay them on a buttered sheet, pour butter over and cook in a hot oven. Make some croustades in half heart-shaped buttered bottomless molds lined with puff paste fragments (No. 149) rolled out thin; line them with buttered paper and fill them with rice and then cook in a moderate oven; when done empty out and fill up with bits of celery cut in quarter-inch dice blanched, cooked in broth and fallen to a glaze, then mingled with veloute sauce (No. 415) and thickened; when ready to use with egg-yolks diluted in cream and a few small pats of butter. Lay the breasts on top of these croustades, trim the pinions with paper frills (No. 10) and serve very hot.

For the Modern Kitchen

Ranhofer assumes a brigade and a numbered cross-reference system; stripped down, this is stuffed breaded chicken supremes served on pastry cases filled with creamed celery. Two things decide whether it works: the forcemeat layer must be thin enough to cook through in the time the breast needs, and the egg-yolk liaison in the celery filling must never boil.

A Little History

Charles Ranhofer ran the kitchen at Delmonico's in New York, and The Epicurean (1894) is the record of that restaurant's repertoire at its height, dish numbers, garnishes, frills and all. Names like a l'Imperatrice belong to the French dedicatory habit of nineteenth-century grande cuisine, honouring an empress in the abstract rather than commemorating a documented occasion; the usage is generally associated with the Second Empire and the court of Eugenie, and by Ranhofer's day it functioned mainly as a signal of richness, typically cream, truffle and a fine forcemeat. The construction here is thoroughly of its period: the meat is not simply cooked but rebuilt in layers, then raised on a pastry plinth holding a separate creamed vegetable, so that a single serving requires three components from three different parts of the book.