No. 1963
Pigeons, Huntress Style—Breasts
Filets de Pigeons Chasseresse
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Raise the fillets from six pigeons leaving the minion fillet adhere, pare and suppress the skin, then salt and lay them in a sautoir with butter and lemon juice; place this on a hot fire and as soon as they are firm to the touch, remove to place under a weight; then pare again and cover one side only with a salpicon of sweetbreads, truffles and mushrooms mingled with well-reduced allemande sauce (No. 407). Cover this salpicon with chicken quenelle forcemeat (No. 89) diluted with a little cream. Dust the tops with bread-crumbs and grated parmesan cheese, mask with butter and lay the breasts in a sautoir, having the bottom covered with thin slices of fat pork, set it in the hot oven and when the breasts are of a fine color and very warm, dress them in a circle, pouring a Diana sauce (No. 460) in the middle.
A Little HistoryChasseresse is simply "huntress," and the name is often read as a pointer to the sauce: Diana, goddess of the hunt, may lie behind the peppery cream-finished poivrade that Ranhofer pools inside the ring of breasts, though his own intent is not recorded. Charles Ranhofer ran the kitchens at Delmonico's in New York, and The Epicurean (1894) is the record of that restaurant's repertoire, which is built almost entirely out of preparations a large brigade kept standing: allemande sauce, chicken quenelle forcemeat, a sauce from the game section, sweetbreads and truffles already trimmed for other uses. Pigeon appears constantly in nineteenth-century American hotel cookery, and squab seems to have been readily available to hotel kitchens. The technique of searing a fillet, pressing it flat, then masking one side with a garnish and a forcemeat before gratinating is a hallmark of the period's grande cuisine, where a small bird was rarely served as itself if it could be turned into something composed.