The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 2086

Partridges, Giralda—Breasts or Fillets

Ailes ou Filets de Perdreaux a la Giralda

Raise the breasts from four partridges; remove the skin and sinews and lift off the minion fillets; streak these with five slices of truffle cut the shape of a cock's-comb. Lay the large fillets in a buttered sautoir and the minion fillets formed into rings in another, filling the centers with quenelle forcemeat (No. 91) pushed through a cornet and on each one lay a small channeled mushroom (No. 118). Butter and decorate with cooked beef tongue, a plain border mold hollowed out on top (Fig. 139), fill it with partridge quenelle forcemeat (No. 91); poach in a bain-marie for half an hour first on top of the range and then in the oven. Prepare a fumet with the carcasses as in No. 397, strain and reduce with the same quantity of espagnole sauce (No. 414) and a little Madeira; skim to free it well from fat, removing all the impurities arising on the surface. Saute the fillets, poach the minion fillets, drain off the butter from the former and replace it by a few spoonfuls of Madeira to detach the glaze. Make a partridge puree with the meats picked from the birds, some rice and bechamel; rub it through a sieve and place it in a saucepan to season with salt, prepared red pepper (No. 168) and nutmeg, adding plenty of butter. Invert the mold on the center of a dish, lift it up and place the fillets on the border with a fried crouton of bread to separate each one and pour the puree in the center; serve more of the sauce separately.

For the Modern Kitchen

This is a full Ranhofer set piece: a poached forcemeat border ring, sautéed breasts, decorated minion fillets, a reduced game sauce and a purée in the middle. Read it as four separate preparations that meet on the platter, and build the timeline backwards from the moment the breasts are cooked, since they are the one element that will not wait.

A Little History

Charles Ranhofer ran the kitchens at Delmonico's in New York for most of the last third of the nineteenth century, and The Epicurean (1894) is his own catalogue of what that restaurant could produce ​— nearly 3,500 numbered items, cross-referenced so that a cook could assemble a dish from parts. The naming habit here is characteristic of the period: ​ la Giralda, like ​ la Jules Verne next to it, ties a garnish formula to a name — in this case generally taken to refer to the Giralda tower of Seville, part of the fashion for Spanish-flavored titles. The construction tells you as much about the era as the flavor does. Fillets from four birds, a tongue-lined forcemeat ring, a purée thickened with rice, and the carcasses boiled down for sauce: the game bird is dismantled and every part put to a separate use, which is what allowed a brigade kitchen to turn four small birds into a course grand enough for a Delmonico's menu.